{"id":858,"date":"2014-01-20T10:57:33","date_gmt":"2014-01-20T09:57:33","guid":{"rendered":"http:\/\/www.stendhal.fr\/?p=858"},"modified":"2014-01-20T10:57:33","modified_gmt":"2014-01-20T09:57:33","slug":"le-suspense-dans-loeuvre-narrative-de-stendhal","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=858","title":{"rendered":"Le suspense dans l\u2019\u0153uvre narrative de Stendhal"},"content":{"rendered":"

Le\u00a0 suspense dans l\u2019\u0153uvre narrative de Stendhal<\/em><\/strong><\/p>\n

\nColloque organis\u00e9 par Stendhal Aujourd\u2019hui<\/em>
\nAvec la collaboration de HB Revue internationale d\u2019\u00e9tudes stendhaliennes<\/em><\/p>\n

\n7 et 8 f\u00e9vrier 2014
\nUniversit\u00e9 Paris-Sorbonne-Paris IV
\nMaison de la Recherche, 28, rue Serpente, Paris VIe<\/p>\n

\nVendredi 7 f\u00e9vrier<\/p>\n

9h15\u00a0 Ouverture du colloque<\/p>\n

9h30-12h30 Pr\u00e9sidence\u00a0: Michel Arrous<\/p>\n

Le suspense discursif dans La Chartreuse de Parme<\/em>
\npar M\u00e9k\u00e9 M\u00e9it\u00e9 (Universit\u00e9 de Cocody-Abidjan)<\/p>\n

Suspense \u00e0 Waterloo
\npar Elisabeth Scheele (Paris)<\/p>\n

Le regard et son vague souvenir. La dramaturgie oculaire dans La Chartreuse de Parme<\/em>
\npar Sascha Luethy (Universit\u00e9 de Berne)<\/p>\n

11h Pause<\/p>\n

Le suspense dans l\u2019\u0153uvre de Stendhal\u00a0: une catharsis prolifique
\npar Marie-Th\u00e9r\u00e8se Fuentes (Universit\u00e9 Complutense, Madrid)<\/p>\n

Physiognomonie et dramaturgie des passions, ou Descartes, Lavater et La Chartreuse de Parme<\/em>
\npar Merete Gerlach-Nielsen (UNESCO)<\/p>\n

12h30 D\u00e9jeuner<\/p>\n

14h30-16h Pr\u00e9sidence\u00a0: Merete Gerlach-Nielsen<\/p>\n

Stendhal lecteur de l\u2019Arioste, ou l\u2019action suspendue
\npar Manuel Esposito (Universit\u00e9 Paris III)<\/p>\n

Suspense et cataphore dans quelques r\u00e9cits de Stendhal
\npar Laetitia Gonon (Universit\u00e9 Grenoble III)<\/p>\n

L\u2019absence d\u2019\u00e9v\u00e9nements comme \u00e9v\u00e9nement\u00a0: les amours de Lucien et de Mme de Chasteller
\npar Encarnacion Medina Arjona (Universit\u00e9 de Jaen)<\/p>\n

Samedi 8 f\u00e9vrier<\/p>\n

10h-12h30 Pr\u00e9sidence : Encarnacion Medina Arjona<\/p>\n

Impr\u00e9visible Gina ou suspense \u00e0 l\u2019italienne dans La Chartreuse de Parme<\/em>
\npar Pierrette Pavet (Paris)<\/p>\n

Entre m\u00e9moire et attente, l\u2019aventurier des Promenades dans Rome<\/em>
\npar Marie-France Borot (Universit\u00e9 de Barcelone)<\/p>\n

11h Pause<\/p>\n

Temps, contretemps, suspense\u00a0: exp\u00e9rience et \u00e9criture du temps v\u00e9cu dans Le Rouge et le Noir<\/em>
\npar H\u00e9l\u00e8ne Spengler (Universit\u00e9 Grenoble III)<\/p>\n

Comique et suspense chez Stendhal
\npar Nicolas Perot (Caen)<\/p>\n

12h30 D\u00e9jeuner<\/p>\n

14h30-16h Pr\u00e9sidence\u00a0: Didier Philippot<\/p>\n

\u00ab\u00a0Toujours un petit doute \u00e0 calmer\u00a0\u00bb, de la maxime au roman
\npar Pascale Mc Garry (University College Dublin)<\/p>\n

Interruptions et digressions : y a-t-il un suspense dans les M\u00e9moires d\u2019un touriste<\/em>\u00a0?
\npar Francis Claudon (Universit\u00e9 Paris XII)<\/p>\n

Le hasard chez Stendhal\u00a0: aventure et narration
\npar Michel Crouzet (Universit\u00e9 Paris-IV)<\/p>\n","protected":false},"excerpt":{"rendered":"

Le\u00a0 suspense dans l\u2019\u0153uvre narrative de Stendhal Colloque organis\u00e9 par Stendhal Aujourd\u2019hui Avec la collaboration de HB Revue internationale d\u2019\u00e9tudes stendhaliennes 7 et 8 f\u00e9vrier 2014 Universit\u00e9 Paris-Sorbonne-Paris IV Maison de la Recherche, 28, rue Serpente, Paris VIe Vendredi 7 … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6],"tags":[],"class_list":["post-858","post","type-post","status-publish","format-standard","hentry","category-colloques"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-dQ","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=858"}],"version-history":[{"count":1,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/858\/revisions"}],"predecessor-version":[{"id":859,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/858\/revisions\/859"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=858"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=858"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}