{"id":805,"date":"2013-11-26T10:34:55","date_gmt":"2013-11-26T09:34:55","guid":{"rendered":"http:\/\/www.stendhal.fr\/?p=805"},"modified":"2013-11-26T10:41:03","modified_gmt":"2013-11-26T09:41:03","slug":"lannee-stendhalienne-n12","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=805","title":{"rendered":"L\u2019ANN\u00c9E STENDHALIENNE N\u00b012"},"content":{"rendered":"<p style=\"text-align: center;\">L\u2019ANN\u00c9E STENDHALIENNE N\u00b012<\/p>\n<p style=\"text-align: center;\">TEXTES ET PARATEXTES<br \/>\n\u00c9TUDES R\u00c9UNIES PAR YVES ANSEL<br \/>\nUN DEMI-SI\u00c8CLE D\u2019\u00c9TUDES STENDHALIENNES (1962-2012)<br \/>\n\u00c9tudes r\u00e9unies par Philippe Berthier<br \/>\n(Colloque du cinquantenaire de l\u2019Association des Amis de Stendhal, \u00c9cole Normale Sup\u00e9rieure, 4 mai 2012)<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.stendhal.fr\/wp-content\/2013\/11\/Annee-stendhalienne-12.jpg\"><img decoding=\"async\" class=\"alignnone size-medium wp-image-810\" alt=\"untitled\" src=\"http:\/\/www.stendhal.fr\/wp-content\/2013\/11\/Annee-stendhalienne-12.jpg\" \/><\/a><\/p>\n<p style=\"text-align: center;\">CHAMPION\u00a0 PARIS<\/p>\n<p style=\"text-align: center;\"><a title=\"Champion\" href=\"http:\/\/www.honorechampion.com\/cgi\/run?wwfrset+3+725011913+1+2+cccdegtl1+N+1+15192615\" target=\"_blank\">http:\/\/www.honorechampion.com\/cgi\/run?wwfrset+3+725011913+1+2+cccdegtl1+N+1+15192615<\/a><\/p>\n<p style=\"text-align: center;\">Prix EUR TTC: 50.00<\/p>\n<p>Textes et paratextes : Yves ANSEL : Pr\u00e9ambule &#8211; C\u00e9cile MEYNARD : La Question du destinataire dans le p\u00e9ritexte des \u00e9crits diaristes et autobiographiques de Stendhal &#8211; Laure L\u00c9V\u00caQUE : Aux marges du th\u00e9\u00e2tre stendhalien : paratexte, m\u00e9tatexte, pr\u00e9-texte ou Fictions sans diction &#8211; Philippe BERTHIER : Po\u00e9tique et politique de la note &#8211; Jean-Jacques HAMM : La <em>Vie de Henry Brulard<\/em> ou l`autobiographie possible &#8211; H\u00e9l\u00e8ne de JACQUELOT : La Table et autres accessoires utiles au lecteur des <em>Id\u00e9es italiennes<\/em> &#8211; Xavier BOURDENET : Justifier l`\u00e9chec : le discours pr\u00e9faciel de <em>De l`amour<\/em> &#8211; Alexandre GENNEVOIS : Un projet d`article : <em>Le Rouge et le Noir<\/em>, mode d`emploi .<br \/>\nUn demi-si\u00e8cle d`\u00e9tudes stendhaliennes (1962-2012) : Philippe BERTHIER : Ouverture &#8211; B\u00e9atrice DIDIER : Habemus papam ! &#8211; Xavier BOURDENET : Stendhal et la sociocritique : aller et retour &#8211; Marie PARMENTIER : Stendhal et la narratologie &#8211; Fran\u00e7ois VANOOSTHUYSE : Le sc\u00e9nario \u00ab Stendhal \u00bb : enqu\u00eates psychanalytiques &#8211; Claire DESLAURIERS : Stendhal aurait-il un style ? &#8211; Du \u00ab non-style \u00bb \u00e0 la recontextualisation &#8211; Serge LINK\u00c8S : Les archives stendhaliennes : un chantier sans fin ? &#8211; Yves ANSEL : Le Stendhal de Michel Crouzet.<\/p>\n<p>PARUTION: 04.11.13<br \/>\nCOLLECTION: ANN\u00c9E STENDHALIENNE<br \/>\nFORMAT: 15X22CM<\/p>\n<p>440 pages<br \/>\nBROCH\u00c9<br \/>\n1 volume(s)<\/p>\n<p>N\u00b0 SERIE: 0012<br \/>\nISBN: 9782745326249<br \/>\nEAN: 9782745326249<\/p>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019ANN\u00c9E STENDHALIENNE N\u00b012 TEXTES ET PARATEXTES \u00c9TUDES R\u00c9UNIES PAR YVES ANSEL UN DEMI-SI\u00c8CLE D\u2019\u00c9TUDES STENDHALIENNES (1962-2012) \u00c9tudes r\u00e9unies par Philippe Berthier (Colloque du cinquantenaire de l\u2019Association des Amis de Stendhal, \u00c9cole Normale Sup\u00e9rieure, 4 mai 2012) CHAMPION\u00a0 PARIS http:\/\/www.honorechampion.com\/cgi\/run?wwfrset+3+725011913+1+2+cccdegtl1+N+1+15192615 Prix &hellip; <a href=\"https:\/\/stendhal.fr\/?p=805\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-805","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-cZ","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=805"}],"version-history":[{"count":5,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/805\/revisions"}],"predecessor-version":[{"id":811,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/805\/revisions\/811"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}