{"id":598,"date":"2012-12-26T10:58:54","date_gmt":"2012-12-26T09:58:54","guid":{"rendered":"http:\/\/www.stendhal.fr\/?p=598"},"modified":"2013-01-15T17:02:06","modified_gmt":"2013-01-15T16:02:06","slug":"frontieres-du-romanesque-stendhal-balzac","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=598","title":{"rendered":"Fronti\u00e8res du romanesque : Stendhal, Balzac"},"content":{"rendered":"<p align=\"center\"><strong><em>Fronti\u00e8res du romanesque : Stendhal, Balzac<\/em><\/strong><br \/>\nMariella Di Maio<\/p>\n<p align=\"center\"><iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"http:\/\/rcm-fr.amazon.fr\/e\/cm?t=sitesten-21&amp;o=8&amp;p=8&amp;l=as1&amp;asins=2812408227&amp;ref=tf_til&amp;fc1=000000&amp;IS2=1&amp;lt1=_blank&amp;m=amazon&amp;lc1=0000FF&amp;bc1=000000&amp;bg1=FFFFFF&amp;f=ifr\" height=\"240\" width=\"320\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p>Pour Stendhal et Balzac la \u00abmati\u00e8re d&rsquo;Italie\u00bb, comme la \u00abmati\u00e8re de Bretagne\u00bb au Moyen \u00c2ge, est une fronti\u00e8re du romanesque ; de m\u00eame que la Russie qui appara\u00eet, dans l&rsquo;\u0153uvre de Stendhal et dans la Com\u00e9die humaine, comme le symbole d&rsquo;une trag\u00e9die individuelle et collective.<\/p>\n<p>Classiques GARNIER<\/p>\n<p><a href=\"http:\/\/www.classiques-garnier.com\" target=\"_blank\">http:\/\/www.classiquesgarnier.com<\/a>\/<\/p>\n<p>&nbsp;<\/p>\n<p>\u00c9tudes romantiques et dix-neuvi\u00e9mistes N\u00b0 30<\/p>\n<p>ISBN\u00a0 978-2-8124-0822-9<br \/>\nEAN 9782812408229<br \/>\nParis 11\/12\/2012 152 pages 29.00 \u20ac TTC<\/p>\n<p align=\"center\">Table des mati\u00e8res<\/p>\n<p align=\"center\">La mati\u00e8re d\u2019Italie<\/p>\n<p>Pr\u00e9ambule<\/p>\n<p>Dante et Michel-Ange<\/p>\n<p>L\u2019Arioste dans les marges<\/p>\n<p>Espaces cruels Les couvents italiens de stendhal<\/p>\n<p>Derni\u00e8re \u00e9tude de femme: <em>Suora scolastica<\/em><\/p>\n<p>L\u2019Italie romanesque de Balzac<\/p>\n<p>Sous le signe de Machiavel : Catherine et Robespierre<\/p>\n<p align=\"center\">From Russia&#8230;<\/p>\n<p>Une exp\u00e9rience des limites<\/p>\n<p>Stendhal Journal et lettres de Russie<\/p>\n<p>La B\u00e9r\u00e9sina de Balzac<\/p>\n<p>Index<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fronti\u00e8res du romanesque : Stendhal, Balzac Mariella Di Maio Pour Stendhal et Balzac la \u00abmati\u00e8re d&rsquo;Italie\u00bb, comme la \u00abmati\u00e8re de Bretagne\u00bb au Moyen \u00c2ge, est une fronti\u00e8re du romanesque ; de m\u00eame que la Russie qui appara\u00eet, dans l&rsquo;\u0153uvre de &hellip; <a href=\"https:\/\/stendhal.fr\/?p=598\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-598","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-9E","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=598"}],"version-history":[{"count":6,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/598\/revisions"}],"predecessor-version":[{"id":612,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/598\/revisions\/612"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}