{"id":560,"date":"2011-11-15T10:43:29","date_gmt":"2011-11-15T09:43:29","guid":{"rendered":"http:\/\/www.stendhal.fr\/?p=560"},"modified":"2011-11-15T10:48:23","modified_gmt":"2011-11-15T09:48:23","slug":"enquetes-sur-les-promenades-dans-rome-%c2%ab-facons-de-voir-%c2%bb","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=560","title":{"rendered":"Enqu\u00eates sur les Promenades dans Rome \u00ab Fa\u00e7ons de voir \u00bb"},"content":{"rendered":"<p align=\"center\"><strong>Enqu\u00eates sur les <em>Promenades dans Rome<\/em><br \/>\n\u00ab Fa\u00e7ons de voir \u00bb<\/strong><br \/>\nTextes r\u00e9unis par Xavier Bourdenet et Fran\u00e7ois Vanoosthuyse\n<\/p>\n<p align=\"center\"><iframe src=\"http:\/\/rcm-fr.amazon.fr\/e\/cm?t=sitesten-21&amp;o=8&amp;p=8&amp;l=as1&amp;asins=2843102065&amp;ref=tf_til&amp;fc1=000000&amp;IS2=1&amp;lt1=_blank&amp;m=amazon&amp;lc1=0000FF&amp;bc1=000000&amp;bg1=FFFFFF&amp;f=ifr\" style=\"width: 120px; height: 240px\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p align=\"left\">ISBN : 978-2-84310-206-6<\/p>\n<p>ISSN : 1294-0658<\/p>\n<p>Prix : 25 \u20ac<\/p>\n<p>Dans la collection \u00ab Biblioth\u00e8que stendhalienne et romantique \u00bb<\/p>\n<p>En 1829, les <em>Promenades dans Rome<\/em>, apr\u00e8s l\u2019<em>Histoire de la peinture en Italie<\/em>, la <em>Vie de Rossini<\/em> et les deux versions de <em>Rome, Naples et Florence<\/em>, confirment Stendhal en sp\u00e9cialiste \u00e8s choses ultramontaines, tout \u00e0 la fois d\u00e9crypteur et constructeur d\u2019une italianit\u00e9 qui vire au mythe. Guide, c\u2019est-\u00e0-dire forme ouverte, dont Stendhal exploite \u00e0 fond la souplesse au point de mettre parfois en p\u00e9ril la lisibilit\u00e9 de son texte, les <em>Promenades<\/em> promeuvent de multiples et contradictoires \u00ab fa\u00e7ons de voir \u00bb la Ville \u00e9ternelle. Le regard s\u2019attache \u00e0 la Rome antique, fondatrice de valeurs en lesquelles le beyliste se reconna\u00eet, \u00e0 la Rome papale, que Stendhal d\u00e9nonce tout en s\u2019en amusant, \u00e0 la patrie des arts qui fait de Rome un mus\u00e9e id\u00e9al et le lieu par excellence de la r\u00e9flexion esth\u00e9tique. Tout cela simultan\u00e9ment. Exp\u00e9rience singuli\u00e8re de l\u2019espace et du temps, m\u00ealant indissociablement politique, esth\u00e9tique et \u00e9rotique, la Rome que balisent les <em>Promenades <\/em>est tout aussi instable que le texte qui la met en sc\u00e8ne.<\/p>\n<p>Les treize \u00e9tudes ici r\u00e9unies sont \u00e0 leur tour autant de \u00ab fa\u00e7ons de voir \u00bb les <em>Promenades dans Rome<\/em>. Elles interrogent tout sp\u00e9cialement le dispositif \u00e9nonciatif de ce guide singulier, examinent la mani\u00e8re dont l\u2019\u0153il stendhalien organise l\u2019exp\u00e9rience sensible et con\u00e7oit la r\u00e9flexion esth\u00e9tique, et rendent le texte \u00e0 sa br\u00fblante actualit\u00e9 de 1829 en un tableau des m\u0153urs romaines o\u00f9 politique et religion sont proprement consubstantielles.<\/p>\n<p><a href=\"http:\/\/www.u-grenoble3.fr\/ellug\/\" title=\"Ellug\" target=\"_blank\">http:\/\/www.u-grenoble3.fr\/ellug\/<\/a><\/p>\n<p>Vente en ligne sur le site : <a href=\"http:\/\/www.lcdpu.fr\/\" title=\"Vente Ellug\" target=\"_blank\">http:\/\/www.lcdpu.fr\/<\/a><\/p>\n<p>Ou aupr\u00e8s des ELLUG<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Enqu\u00eates sur les Promenades dans Rome \u00ab Fa\u00e7ons de voir \u00bb Textes r\u00e9unis par Xavier Bourdenet et Fran\u00e7ois Vanoosthuyse ISBN : 978-2-84310-206-6 ISSN : 1294-0658 Prix : 25 \u20ac Dans la collection \u00ab Biblioth\u00e8que stendhalienne et romantique \u00bb En 1829, &hellip; <a href=\"https:\/\/stendhal.fr\/?p=560\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-560","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-92","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/560","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=560"}],"version-history":[{"count":0,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/560\/revisions"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=560"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=560"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=560"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}