{"id":534,"date":"2010-11-30T17:46:10","date_gmt":"2010-11-30T16:46:10","guid":{"rendered":"http:\/\/www.stendhal.fr\/?p=534"},"modified":"2010-12-01T11:13:40","modified_gmt":"2010-12-01T10:13:40","slug":"conferences-de-l%e2%80%99association-des-amis-de-stendhal","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=534","title":{"rendered":"Conf\u00e9rences de l\u2019Association des amis de Stendhal"},"content":{"rendered":"<p align=\"center\">Conf\u00e9rences de l\u2019Association des amis de Stendhal<\/p>\n<p align=\"center\">(lieu de r\u00e9union BHVP, 24 rue Pav\u00e9e, 75004 Paris, m\u00e9tro Saint-Paul)<\/p>\n<p>Mercredi 5 janvier 2011 \u00e0 18 H 30.<br \/>\nMme Yvette Formery, professeur de philosophie\u00a0: \u00ab\u00a0Stendhal et la caract\u00e9rologie\u00a0\u00bb.<br \/>\nComment Stendhal s\u2019est int\u00e9ress\u00e9 aux caract\u00e8res \u00e0 travers les \u0153uvres de Lavater et de Cabanis\u00a0: esquisse d\u2019un portrait de Beyle selon la m\u00e9thode Le Sennienne.<\/p>\n<p>Mercredi 2 f\u00e9vrier 2011 \u00e0 18 H 30.<br \/>\nMlle Lucy Garnier, chercheure de l\u2019\u00e9quipe Traverses 19-21 (Universit\u00e9 Grenoble 3)\u00a0: \u00ab\u00a0Fr\u00e8res et s\u0153urs dans la fiction stendhalienne\u00a0\u00bb<br \/>\nSouvent des \u00eatres d\u2019arri\u00e8re-plan, peu \u00e9toff\u00e9s et sans v\u00e9ritable consistance, les fr\u00e8res et s\u0153urs des protagonistes stendhaliens remplissent pourtant des fonctions pr\u00e9cises dans la dynamique de la fiction. Il s\u2019agira d\u2019en examiner ici les tenants et les aboutissants.<\/p>\n<p>Mercredi 2 mars 2011 \u00e0 18 H 30.<br \/>\nM. Philippe Abelin, ancien fonctionnaire du Minist\u00e8re de l\u2019Economie en poste \u00e0 l\u2019\u00e9tranger\u00a0:<br \/>\n\u00ab\u00a0Empathie et manipulation dans l\u2019\u0153uvre romanesque de Stendhal\u00a0\u00bb<br \/>\nA premi\u00e8re vue, les deux concepts paraissent s\u2019opposer. Pourtant, en y regardant de plus pr\u00e8s, ils se r\u00e9v\u00e8lent \u00e9troitement li\u00e9s et en quelque sorte interd\u00e9pendants, comme le montre la th\u00e8se de doctorat que Philippe Abelin, 70 ans, a r\u00e9cemment soutenue avec succ\u00e8s \u00e0 l\u2019Universit\u00e9 Paris-III Sorbonne Nouvelle et dont il nous pr\u00e9sente les grandes lignes.<\/p>\n<p>Mercredi 6 avril 2011 \u00e0 18 H 30.<br \/>\nMlle Qian Kong, doctorante \u00e0 la Sorbonne (Paris IV)\u00a0: \u00ab\u00a0Stendhal au pays du sourire\u00a0: sa r\u00e9ception en Chine\u00a0\u00bb<br \/>\nTr\u00e8s connue et appr\u00e9ci\u00e9e au Japon, dans quelle mesure l\u2019\u0153uvre de Stendhal est-elle introduite en Chine et quelle audience a-t-elle aupr\u00e8s du public\u00a0? C\u2019est \u00e0 cette question que Mlle Qian Kong, jeune \u00e9tudiante qui pr\u00e9pare une th\u00e8se de doctorat sur ce sujet, se propose d\u2019apporter une r\u00e9ponse.<\/p>\n<p>Mercredi 4 mai 2011 \u00e0 18 H 30<br \/>\nM. Christof Weiand, Universit\u00e9 de Heidelberg\u00a0: \u00ab\u00a0Stendhal selon Butor (<em>R\u00e9pertoire V<\/em>, 10)\u00a0\u00bb<br \/>\nDix chapitres bien denses cernent, chez Butor, la po\u00e9tologie du jeu des titres \u00e0 l\u2019int\u00e9rieur de l\u2019\u0153uvre romanesque de Stendhal. Il s\u2019agit de red\u00e9couvrir le potentiel herm\u00e9neutique et le charme de la \u00ab\u00a0Fantaisie chromatique \u00e0 propos de Stendhal\u00a0\u00bb et de partir avec Butor dans l\u2019univers \u00e9blouissant stendhalien.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Conf\u00e9rences de l\u2019Association des amis de Stendhal (lieu de r\u00e9union BHVP, 24 rue Pav\u00e9e, 75004 Paris, m\u00e9tro Saint-Paul) Mercredi 5 janvier 2011 \u00e0 18 H 30. Mme Yvette Formery, professeur de philosophie\u00a0: \u00ab\u00a0Stendhal et la caract\u00e9rologie\u00a0\u00bb. Comment Stendhal s\u2019est int\u00e9ress\u00e9 &hellip; <a href=\"https:\/\/stendhal.fr\/?p=534\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-534","post","type-post","status-publish","format-standard","hentry","category-conferences"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-8C","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/534","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=534"}],"version-history":[{"count":0,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/534\/revisions"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=534"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=534"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}