{"id":512,"date":"2010-02-12T10:25:06","date_gmt":"2010-02-12T09:25:06","guid":{"rendered":"http:\/\/www.stendhal.fr\/?p=512"},"modified":"2010-02-13T11:40:16","modified_gmt":"2010-02-13T10:40:16","slug":"qui-nous-delivrera-de-louis-xiv","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=512","title":{"rendered":"Qui nous d\u00e9livrera de Louis XIV ?"},"content":{"rendered":"<p align=\"center\"><strong>Qui nous d\u00e9livrera de Louis XIV ? <\/strong><\/p>\n<p align=\"center\"><strong>Un trait\u00e9 d&rsquo;\u00e9gotisme selon Stendhal <\/strong><\/p>\n<p align=\"center\"> <a href=\"http:\/\/editions-alphee.com\/index.php?action=auteur&amp;id=260\" target=\"_blank\"> Stendhal<\/a><\/p>\n<p align=\"center\">\n<iframe src=\"http:\/\/rcm-fr.amazon.fr\/e\/cm?t=sitesten-21&amp;o=8&amp;p=8&amp;l=as1&amp;asins=2753805555&amp;fc1=000000&amp;IS2=1&amp;lt1=_blank&amp;m=amazon&amp;lc1=0000FF&amp;bc1=000000&amp;bg1=FFFFFF&amp;f=ifr\" style=\"width: 120px; height: 240px\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p align=\"center\">Un manifeste d&rsquo;\u00e9gotisme pour notre temps<br \/>\nChoix et pr\u00e9face de Samuel Brussell\n<\/p>\n<p align=\"left\"> Stendhal est aujourd&rsquo;hui reconnu comme l&rsquo;un des plus grands romanciers fran\u00e7ais, mais l&rsquo;homme d&rsquo;id\u00e9es et d&rsquo;action reste, dans son pays, m\u00e9connu et suspect.C&rsquo;est cet observateur implacable des moeurs de son temps, des lendemains de 1789, puis de Waterloo, cet esprit \u00e9minemment r\u00e9volutionnaire, an sens le plus noble, que l&rsquo;\u00e9diteur a voulu faire mieux conna\u00eetre \u00e0 travers cette anthologie-manifeste. Cette voix libre, amie de l&rsquo;imprudence, est un rem\u00e8de au lugubre assommoir du \u00abpolitiquement correct\u00bb qui paralyse notre civilisation.<\/p>\n<p>Qui nous d\u00e9livrera de Louis XIV?<em> Voil\u00e0 la grande question qui renferme le sort de la litt\u00e9rature fran\u00e7aise \u00e0 venir. Les gens de lettres actuels se sont fait un point de doctrine de soutenir le genre <\/em>\u00e0 la Louis XIV,<em> et l&rsquo;Acad\u00e9mie fran\u00e7aise est devenue plus intol\u00e9rante et presque aussi absurde que la <\/em>Sorbonne<em>.<\/em><\/p>\n<p><em>Je propose au public d&rsquo;adopter le verbe <\/em>poffer<em> (du mot anglais <\/em>puff<em>), qui veut dire vanter \u00e0 toute outrance, pr\u00f4ner dans les journaux avec effronterie. Ce mot manque \u00e0 la langue, quoique la chose se voie tous les jours dans les colonnes des journaux \u00e0 la mode, auxquels on paie le <\/em>puff<em> en raison du nombre de leurs abonn\u00e9s.<\/em><\/p>\n<p><em>Un des caract\u00e8res du si\u00e8cle de la R\u00e9volution (1789-1832), c&rsquo;est qu&rsquo;il n ait point de grand succ\u00e8s sans un certain degr\u00e9 d&rsquo;impudeur et m\u00eame de charlatanisme d\u00e9cid\u00e9.<\/em><\/p>\n<p><em>Il me semble qu &lsquo;il faut du courage \u00e0 l&rsquo;\u00e9crivain presque autant qu&rsquo;au guerrier; l&rsquo;an ne doit pas plus songer aux journalistes que l&rsquo;autre \u00e0 l&rsquo;h\u00f4pital.<\/em><\/p>\n<p><em>Toute id\u00e9e de politique dans un ouvrage de litt\u00e9rature&#8230; est un coup de pistolet au milieu d&rsquo;un concert. <\/em><\/p>\n<p><strong>ISBN :<\/strong> 9782753805552<\/p>\n<p><strong>Prix :<\/strong> 16.9 \u20ac<\/p>\n<p>136 pages<\/p>\n<p><strong>Collection :<\/strong> <a href=\"http:\/\/editions-alphee.com\/index.php?action=collection&amp;id=14\" target=\"_blank\">Anatolia<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Qui nous d\u00e9livrera de Louis XIV ? Un trait\u00e9 d&rsquo;\u00e9gotisme selon Stendhal Stendhal Un manifeste d&rsquo;\u00e9gotisme pour notre temps Choix et pr\u00e9face de Samuel Brussell Stendhal est aujourd&rsquo;hui reconnu comme l&rsquo;un des plus grands romanciers fran\u00e7ais, mais l&rsquo;homme d&rsquo;id\u00e9es et &hellip; <a href=\"https:\/\/stendhal.fr\/?p=512\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-512","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-8g","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/512","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=512"}],"version-history":[{"count":0,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/512\/revisions"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=512"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=512"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}