{"id":471,"date":"2008-09-22T09:31:53","date_gmt":"2008-09-22T08:31:53","guid":{"rendered":"http:\/\/www.stendhal.fr\/?p=471"},"modified":"2008-09-22T10:03:00","modified_gmt":"2008-09-22T09:03:00","slug":"de-l%e2%80%99hypertexte-au-manuscrit-l%e2%80%99apport-et-les-limites-du-numerique-pour-l%e2%80%99edition-et-la-valorisation-de-manuscrits-modernes","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=471","title":{"rendered":"De l\u2019hypertexte au manuscrit"},"content":{"rendered":"<p align=\"center\"><strong>De l\u2019hypertexte au manuscrit<br \/>\nL\u2019apport et les limites du num\u00e9rique pour l\u2019\u00e9dition et la valorisation de manuscrits modernes <\/strong>\n<\/p>\n<p align=\"center\">&nbsp;<\/p>\n<p align=\"center\">Recherches &amp;Travaux n\u00b0 72 \/ 2008<br \/>\nISSN 0151-1874\u00a0\u00a0\u00a0 ISBN\u00a0\u00a0 978-2-84310-125-0\n<\/p>\n<p align=\"center\">Prix 13 euros<\/p>\n<p align=\"center\"> <iframe src=\"http:\/\/rcm-fr.amazon.fr\/e\/cm?t=sitesten-21&amp;o=8&amp;p=8&amp;l=as1&amp;asins=2843101255&amp;fc1=000000&amp;IS2=1&amp;lt1=_blank&amp;m=amazon&amp;lc1=0000FF&amp;bc1=000000&amp;bg1=FFFFFF&amp;f=ifr\" style=\"width: 120px; height: 240px\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p align=\"center\">Ellug \/ Revues (Editions Litt\u00e9raires et Linguistiques de l&rsquo;universit\u00e9 de Grenoble)<br \/>\nUniversit\u00e9 Stendhal-Grenoble 3 ; BP 25<br \/>\n38040 Grenoble Cedex 9<br \/>\nt\u00e9l. : 04 76 82 43 75 : fax. 04 76 82 41 12<br \/>\npour consultation du catalogue et commande<br \/>\n<a href=\"http:\/\/w3.u-grenoble3.fr\/ellug\/index.html\/\" target=\"_blank\">http:\/\/w3.u-grenoble3.fr\/ellug\/index.html\/<\/a><\/p>\n<p>Pr\u00e9face<br \/>\nLa litt\u00e9rature \u00e0 venir<br \/>\nMichel Lafon<\/p>\n<p>Introduction<br \/>\nDe l\u2019hypertexte au manuscrit : le manuscrit r\u00e9appropri\u00e9<br \/>\nFran\u00e7oise Leriche<br \/>\nC\u00e9cile Meynard<\/p>\n<p>ASPECTS TH\u00c9ORIQUES<\/p>\n<p>La pr\u00e9\u00e9minence du document dans l\u2019\u00e9dition<br \/>\nHans-Walter Gabler<\/p>\n<p>Les manuscrits bilingues de Beckett : la combinaison des approches \u00ab documentaire \u00bb et \u00ab textuelle \u00bb dans une \u00e9dition num\u00e9rique<br \/>\nDirkVan Hulle<\/p>\n<p>Quelle \u00e9dition pour quel public ? Les avatars de l\u2019\u00e9dition \u00e9lectronique de la correspondance de Proust<br \/>\nFran\u00e7oise Leriche<\/p>\n<p>Approche des probl\u00e9matiques du texte d\u2019\u00e9cran : la cr\u00e9ation du sens et le lecteur<br \/>\nCaroline Ang\u00e9<\/p>\n<p>PR\u00c9SENTATION D\u2019OUTILS<\/p>\n<p>L\u2019\u00e9dition de manuscrits au prisme du paradigme instrumental Arcane<br \/>\n\u00c9ric-Olivier Lochard<\/p>\n<p>Manuscrits de Stendhal.De la base de donn\u00e9es \u00e0 la base documentaire : le projet CLELIA<br \/>\nThomas Lebarb\u00e9<br \/>\nAlexia Blanchard<br \/>\nC\u00e9cile Meynard<\/p>\n<p>De MUSE en ARGOLIDE, ou la codicologie \u00e0 l\u2019\u00e8re du num\u00e9rique<br \/>\nClaire Bustarret<br \/>\nSerge Link\u00e8s<\/p>\n<p>COMPL\u00c9MENTARIT\u00c9 OU CONFLIT ENTRE \u00c9DITION IMPRIM\u00c9E<br \/>\nET \u00c9DITION \u00c9LECTRONIQUE<\/p>\n<p>\u00c9diter un cahier de travail de Montesquieu : les apports du num\u00e9rique et de laTEI<br \/>\nPierre-Yves Buard<br \/>\nCarole Dornier<\/p>\n<p>D\u2019Hypo-Proust en Hyper-Proust ? Les \u00ab brouillons \u00bb imprim\u00e9s de l\u2019\u00e9dition \u00e9lectronique<br \/>\nNathalie Mauriac Dyer<\/p>\n<p>R\u00e9flexions sur la compl\u00e9mentarit\u00e9 des \u00e9ditions num\u00e9rique et papier<br \/>\nL\u2019exemple d\u2019<em>Histoire d\u2019Espagne <\/em><br \/>\nC\u00e9cile Meynard<\/p>\n<p>\u00c9diter le manuscrit inachev\u00e9 : vraies et fausses vertus du num\u00e9rique<br \/>\nSerge Link\u00e8s<\/p>\n<p><em>Comment vivre ensemble<\/em> de Roland Barthes : vie et mort d\u2019un site litt\u00e9raire<br \/>\nClaude Coste<\/p>\n<p>Le vivre et mourir en ligne du <em>Vivre ensemble<\/em> de Roland Barthes<br \/>\nGuillaume Bellon<\/p>\n<p>LE CHOIX DE L\u2019\u00c9DITION \u00c9LECTRONIQUE<\/p>\n<p>L\u2019\u00e9dition int\u00e9grale en ligne des manuscrits de <em>Madame Bovary<\/em><br \/>\nYvan Leclerc<\/p>\n<p>Apports et limites du num\u00e9rique dans la transcription des manuscrits de <em>Madame Bovary<\/em><br \/>\nDanielle Girard<\/p>\n<p>Essai de traitement \u00e9lectronique d\u2019une constellation de manuscrits : de <em>Mina deVanghel<\/em> \u00e0 <em>Rose et Vert<\/em> (Stendhal)<br \/>\nDaniel Ferrer<br \/>\nMaria-Ignez Mena Barreto<br \/>\nJean-Jacques Labia<\/p>\n<p>Stendhal ou l\u2019\u00e9criture palimpsestique : feuilletage g\u00e9n\u00e9tique et jeux intertextuels \u00e0 l\u2019oeuvre dans la <em>Vie de Napol\u00e9on<\/em> de<br \/>\nStendhal<br \/>\nH\u00e9l\u00e8ne Spengler<\/p>\n<p>L\u2019\u00eele des savoirs choisis.D\u2019Hyper Nietzsche \u00e0 Scholar Source<br \/>\nPaolo D\u2019Iorio<\/p>\n","protected":false},"excerpt":{"rendered":"<p>De l\u2019hypertexte au manuscrit L\u2019apport et les limites du num\u00e9rique pour l\u2019\u00e9dition et la valorisation de manuscrits modernes &nbsp; Recherches &amp;Travaux n\u00b0 72 \/ 2008 ISSN 0151-1874\u00a0\u00a0\u00a0 ISBN\u00a0\u00a0 978-2-84310-125-0 Prix 13 euros Ellug \/ Revues (Editions Litt\u00e9raires et Linguistiques de &hellip; <a href=\"https:\/\/stendhal.fr\/?p=471\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-471","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-7B","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=471"}],"version-history":[{"count":0,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/471\/revisions"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}