{"id":390,"date":"2007-10-01T16:22:23","date_gmt":"2007-10-01T15:22:23","guid":{"rendered":"http:\/\/jy.reysset.free.fr\/wordpress\/?p=390"},"modified":"2008-07-10T09:47:15","modified_gmt":"2008-07-10T08:47:15","slug":"lettre-de-la-pleiade-n%c2%b029-a-propos-de-oeuvres-romanesques-completes-ii","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=390","title":{"rendered":"Lettre de la Pl\u00e9iade n\u00b029 ( \u00e0 propos de Oeuvres romanesques compl\u00e9tes II)"},"content":{"rendered":"<p>La <a href=\"http:\/\/www.cercle-pleiade.com\/\" title=\"Lettre de la Pl\u00e9iade\" target=\"_blank\">Lettre de la Pl\u00e9iade n\u00b029 <\/a>(Septembre-octobre 2007) consacre 4 pages \u00e0 la nouvelle \u00e9dition des <em>Oeuvres romanesques compl\u00e8tes<\/em> de Stendhal et en particulier un article de Xavier Bourdenet intitul\u00e9 <strong>Connaissez-vous <em>Lucien Leuwen<\/em>? <\/strong>dans lequel l&rsquo;\u00e9diteur explique les choix \u00e9ditoriaux retenus pour l&rsquo;\u00e9tablissement du texte de ce manuscrit.<\/p>\n<p>Il est possible de t\u00e9l\u00e9charger un exemplaire de la Lettre au format pdf \u00e0 l&rsquo;adresse: <a href=\"http:\/\/www.cercle-pleiade.com\/\" title=\"Exemplaire pdf\" target=\"_blank\">http:\/\/www.cercle-pleiade.com\/ <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Lettre de la Pl\u00e9iade n\u00b029 (Septembre-octobre 2007) consacre 4 pages \u00e0 la nouvelle \u00e9dition des Oeuvres romanesques compl\u00e8tes de Stendhal et en particulier un article de Xavier Bourdenet intitul\u00e9 Connaissez-vous Lucien Leuwen? dans lequel l&rsquo;\u00e9diteur explique les choix \u00e9ditoriaux &hellip; <a href=\"https:\/\/stendhal.fr\/?p=390\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2],"tags":[],"class_list":["post-390","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-6i","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/390","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=390"}],"version-history":[{"count":0,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/390\/revisions"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=390"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=390"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}