{"id":385,"date":"2007-09-11T10:51:34","date_gmt":"2007-09-11T09:51:34","guid":{"rendered":"http:\/\/jy.reysset.free.fr\/wordpress\/?p=385"},"modified":"2008-07-10T09:47:47","modified_gmt":"2008-07-10T08:47:47","slug":"stendhal-a-cosmopolis","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=385","title":{"rendered":"Stendhal \u00e0 Cosmopolis"},"content":{"rendered":"<h1><a href=\"http:\/\/jy.reysset.free.fr\/wordpress\/wp-content\/2007\/09\/stendhal_cosm_01.jpg\" title=\"Stendhal \u00e0 Cosmopolis\"><\/a><\/p>\n<p style=\"text-align: center\"><a href=\"http:\/\/jy.reysset.free.fr\/wordpress\/wp-content\/2007\/09\/stendhal_cosm_01.jpg\" title=\"Stendhal \u00e0 Cosmopolis\"><img decoding=\"async\" src=\"http:\/\/jy.reysset.free.fr\/wordpress\/wp-content\/2007\/09\/stendhal_cosm_01.thumbnail.jpg\" alt=\"Stendhal \u00e0 Cosmopolis\" \/><\/a><\/p>\n<\/h1>\n<h2 align=\"center\">Stendhal et ses langues<\/h2>\n<h3 align=\"center\">Textes r\u00e9unis et pr\u00e9sent\u00e9s par Marie-Rose Corredor<\/h3>\n<p class=\"bodytext\"><a href=\"http:\/\/w3.u-grenoble3.fr\/ellug\/index.html\/index.php?id=127\" target=\"_blank\" title=\"Collection : biblioth\u00e8que stendhalienne et romantique\">Collection BIBLIOTH\u00c8QUE STENDHALIENNE ET ROMANTIQUE<br \/>\n<\/a>\n<\/p>\n<p class=\"bodytext\">Il s\u2019agit d\u2019une approche plurielle qui rend compte de la curiosit\u00e9 du linguiste \u00e0 Milan, de l\u2019argumentation du pamphl\u00e9taire, du questionnement du traducteur ; pour l\u2019habitant de \u00ab Cosmopolis \u00bb selon le mot de Val\u00e9ry, les langues \u2013 vivantes ou mortes \u2013 sont un lieu de d\u2019appropriation et de reconfiguration : une polyglossie constante dans les textes \u00e0 usage intime tendant \u00e0 sugg\u00e9rer une autre langue, le \u00ab stendhalien \u00bb.<\/p>\n<p>Cet ouvrage se propose de revoir la phrase c\u00e9l\u00e8bre de P. Val\u00e9ry \u2013 \u00ab son moi vit \u00e0 Cosmopolis et pense en toutes les langues \u00bb \u2013 en examinant quelques relations essentielles de Stendhal aux langues \u2013 vivantes ou mortes \u2013 qu\u2019il connaissait ou semblait conna\u00eetre. Dans le cadre d\u2019un \u00ab cosmopolitisme \u00bb que lui-m\u00eame revendiquait, son implication dans les d\u00e9bats linguistiques de son temps a valeur de sympt\u00f4me et n\u2019exclut en rien les d\u00e9marches personnelles d\u2019appropriation qui ont fait parler de \u00ab marqueterie d\u2019idiomes \u00bb ou de \u00ab sabir \u00bb \u00e0 son \u00e9gard.<\/p>\n<h4>ELLUG 2007 \u2013 366 p. \u2013 14 x 21,5 cm \u2013 ISBN 978 2 84310 103 8 \u2013 prix 26 \u20ac<\/h4>\n<p class=\"bodytext\"><a href=\"http:\/\/w3.u-grenoble3.fr\/ellug\/index.html\/index.php?id=162\" target=\"_blank\" title=\"Table des mati\u00e8res : Stendhal \u00e0 Cosmopolis\">Table des mati\u00e8res<\/a><\/p>\n<p class=\"bodytext\">&nbsp;<\/p>\n<p align=\"center\"> <iframe src=\"http:\/\/rcm-fr.amazon.fr\/e\/cm?t=sitesten-21&amp;o=8&amp;p=8&amp;l=as1&amp;asins=2843101034&amp;fc1=000000&amp;IS2=1&amp;lt1=_blank&amp;lc1=0000FF&amp;bc1=000000&amp;bg1=FFFFFF&amp;f=ifr\" style=\"width: 120px; height: 240px\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Stendhal et ses langues Textes r\u00e9unis et pr\u00e9sent\u00e9s par Marie-Rose Corredor Collection BIBLIOTH\u00c8QUE STENDHALIENNE ET ROMANTIQUE Il s\u2019agit d\u2019une approche plurielle qui rend compte de la curiosit\u00e9 du linguiste \u00e0 Milan, de l\u2019argumentation du pamphl\u00e9taire, du questionnement du traducteur ; &hellip; <a href=\"https:\/\/stendhal.fr\/?p=385\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2],"tags":[],"class_list":["post-385","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-6d","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/385","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=385"}],"version-history":[{"count":0,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/385\/revisions"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=385"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=385"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}