{"id":383,"date":"2007-09-07T10:53:04","date_gmt":"2007-09-07T09:53:04","guid":{"rendered":"http:\/\/jy.reysset.free.fr\/wordpress\/?p=383"},"modified":"2008-07-10T09:47:28","modified_gmt":"2008-07-10T08:47:28","slug":"le-sang-la-violence-et-la-mort-chez-stendhal-merimee-et-les-romantiques","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=383","title":{"rendered":"Le sang, la violence et la mort chez Stendhal, M\u00e9rim\u00e9e et les romantiques"},"content":{"rendered":"<p>   <meta http-equiv=\"Content-Type\" content=\"text\/html; charset=ISO-8859-1\" \/> <strong><em>LE SANG, LA VIOLENCE ET LA MORT <\/em><\/strong><strong>CHEZ STENDHAL, M\u00c9RIM\u00c9E ET LES ROMANTIQUES<\/strong><\/p>\n<p align=\"center\"><strong>Colloque<\/strong><\/p>\n<p align=\"center\">organis\u00e9 par<\/p>\n<p align=\"center\">                <em>Stendhal<\/em><em> aujourd\u2019hui<\/em> et <em>HB, Revue internationale d\u2019\u00e9tudes<\/em><br \/>\n<em> stendhaliennes<\/em><\/p>\n<p><em><br \/>\n<\/em><\/p>\n<p><strong>Vendredi 5 octobre 2007, INHA, salle Giorgio Vasari, 2, rue Vivienne, Paris 2e<\/strong><\/p>\n<p><strong>9 h         Max Andr\u00e9oli (Grasse)<\/strong><\/p>\n<p>Vision romantique de la Terreur<\/p>\n<p>9 h 30    <strong>Sylvain Ledda<\/strong><\/p>\n<p>La mort sur la sc\u00e8ne romantique : de la th\u00e9orie \u00e0 la pol\u00e9mique<\/p>\n<p>10 h      <strong>Merete Gerlach-Nielsen<\/strong> (UNESCO)<\/p>\n<p>La violence et la mort chez quelques romanciers danois : comique et tragique.<\/p>\n<p><strong><em>   Discussion<\/em><\/strong><\/p>\n<p>11h       <strong>Marie Makropoulou<\/strong> (Universit\u00e9 Aristote, Thessalonique)<\/p>\n<p>Maupassant, <em>La Vie errante<\/em> ou la prescience d\u2019une mort heureuse<\/p>\n<p>11 h 30  <strong>Claudie Bernard<\/strong> (New York University)<\/p>\n<p>Des loups et des hommes : l\u2019expression de la justice dans <em>Madame Putiphar<\/em> de P\u00e9trus Borel le Lycanthrope<\/p>\n<p><strong><em>Discussion<\/em><\/strong><\/p>\n<p>14 h       <strong>Fabienne Berc\u00e9gol<\/strong> (Universit\u00e9 de Bordeaux III)<\/p>\n<p>Des <em>Natchez<\/em> aux <em>Martyrs<\/em> : violence de l\u2019\u00c9ros chez Chateaubriand<\/p>\n<p>14 h 30  <strong>Christine Marcandier<\/strong> (Universit\u00e9 de Provence)<\/p>\n<p>Stendhal, M\u00e9rim\u00e9e, le gai savoir de la violence<\/p>\n<p>15 h       <strong>Jacques Birnberg<\/strong> (Monash University)<\/p>\n<p>Du c\u00f4t\u00e9 des <em>Cenci<\/em><\/p>\n<p><em><strong>Discussion<\/strong><\/em><\/p>\n<p>16 h       <strong>Fran\u00e7ois G\u00e9al<\/strong> (ENS Ulm)<\/p>\n<p>Une po\u00e9tique du saisissement : les derniers instants du condamn\u00e9 \u00e0 mort dans la IIe <em>Lettre d\u2019Espagne<\/em> de     M\u00e9rim\u00e9e (\u00ab Une ex\u00e9cution \u00bb)<\/p>\n<p>16 h 30  <strong>Thierry Ozwald<\/strong> (Besan\u00e7on)<\/p>\n<p>N\u00e9vrose familiale et psychose collective dans la <em>Chronique du r\u00e8gne de Charles IX<\/em><\/p>\n<p><em><strong>Discussion<\/strong><\/em><\/p>\n<p><strong>Samedi 6 octobre 2007, Sorbonne, amphith\u00e9\u00e2tre Michelet<\/strong><\/p>\n<p><strong>9 h          H\u00e9l\u00e8ne Spengler (Universit\u00e9 de Savoie)<\/strong><\/p>\n<p><em>          Barbarus hic ego sum qui non intelligor illis<\/em>. Stendhal ou l\u2019autre romantisme<\/p>\n<p>9 h 30   <strong>Clarisse R\u00e9qu\u00e9na<\/strong> (Paris)<\/p>\n<p>La corrida, une \u00ab trag\u00e9die romantique \u00bb ?<\/p>\n<p>10 h       <strong>Joseph-Marc Bailb\u00e9<\/strong> (Universit\u00e9 de Rouen)<\/p>\n<p>Don Juan chez M\u00e9rim\u00e9e (<em>Les \u00c2mes du Purgatoire<\/em>, 1834) : la violence et le sacr\u00e9<\/p>\n<p><strong><em>Discussion<\/em><\/strong><\/p>\n<p>11 h        <strong>Andr\u00e9e Mansau<\/strong> (Universit\u00e9 de Toulouse-Le Mirail)<\/p>\n<p>Tombeaux de femmes \u00e0 Rome<\/p>\n<p>11 h 30   <strong>Suzel Esquier<\/strong> (CRRR, Universit\u00e9 de Clermont-Ferrand)<\/p>\n<p>La mise en sc\u00e8ne de la mort dans l\u2019op\u00e9ra <em>Otello<\/em> de Rossini<\/p>\n<p>12 h       <strong>Liliane Lascoux<\/strong> (CRLC, Universit\u00e9 de Paris IV- Sorbonne)<\/p>\n<p>Les registres de l\u2019exc\u00e8s dans <em>Carmen<\/em>, de M\u00e9rim\u00e9e \u00e0 Bizet<\/p>\n<p><strong><em>Discussion<\/em><\/strong><\/p>\n<p>14 h 30   <strong>Fanny B\u00e9rat-Esquier<\/strong> (Paris)<\/p>\n<p>Baudelaire et Stendhal critiques d\u2019art autour de la figure de Delacroix : le \u00ab sauvage \u00bb en peinture<\/p>\n<p>15 h       <strong>Michel Crouzet<\/strong> (Universit\u00e9 de Paris IV- Sorbonne)<\/p>\n<p>Civilisation, culture, barbarie, ou la violence dans l\u2019\u0153uvre de Stendhal<\/p>\n<p><strong><em>Discussion<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>LE SANG, LA VIOLENCE ET LA MORT CHEZ STENDHAL, M\u00c9RIM\u00c9E ET LES ROMANTIQUES Colloque organis\u00e9 par Stendhal aujourd\u2019hui et HB, Revue internationale d\u2019\u00e9tudes stendhaliennes Vendredi 5 octobre 2007, INHA, salle Giorgio Vasari, 2, rue Vivienne, Paris 2e 9 h Max &hellip; <a href=\"https:\/\/stendhal.fr\/?p=383\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[6],"tags":[],"class_list":["post-383","post","type-post","status-publish","format-standard","hentry","category-colloques"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-6b","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/383","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=383"}],"version-history":[{"count":0,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/383\/revisions"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=383"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=383"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}