{"id":377,"date":"2007-05-29T13:28:46","date_gmt":"2007-05-29T12:28:46","guid":{"rendered":"http:\/\/jy.reysset.free.fr\/wordpress\/?p=377"},"modified":"2008-07-10T09:50:20","modified_gmt":"2008-07-10T08:50:20","slug":"lannee-stendhalienne-n%c2%b06-2006-lhistoire-de-la-peinture-en-italie","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=377","title":{"rendered":"L&rsquo;Ann\u00e9e stendhalienne N\u00b06"},"content":{"rendered":"<p align=\"left\"><strong>L&rsquo;ANNEE STENDHALIENNE N\u00b06 2007. L&rsquo;HISTOIRE DE LA PEINTURE EN ITALIE<\/strong><\/p>\n<p><font face=\"Verdana\" size=\"1\">Daniela Gallo, La Le\u00e7on de l&rsquo;antique ; Michel Gu\u00e9rin, Le Motif du \u00ab\u00a0beau moderne\u00a0\u00bb ; Mariella Di Maio, Dante et Michel-Ange ; Philippe Berthier, Peut-on voir Dieu en peinture ? ; Yves Ansel, <em>L&rsquo;Histoire de la peinture en Italie<\/em>, \u00ab\u00a0pamphlet de Dominique\u00a0\u00bb ; Xavier Bourdenet, <em>Histoire de la peinture en Italie<\/em> : logiques de l&rsquo;Histoire ? ; Marie De Gandt, Temporalit\u00e9s de l&rsquo;art romantique ; Marie Rose Corredor, T\u00e9lescope et \u00ab\u00a0neige pi\u00e9tin\u00e9e\u00a0\u00bb : la \u00ab\u00a0folie du voir\u00a0\u00bb ; Agathe Lechevalier, Stendhal et le \u00ab\u00a0thermom\u00e8tre du beau\u00a0\u00bb : la \u00ab\u00a0chaleur\u00a0\u00bb dans l&rsquo;<em>Histoire de la peinture en Italie<\/em> ; Marie Parmentier, L&rsquo;ethos dans l&rsquo;<em>Histoire de la peinture en Italie<\/em> : une construction fragile ; Martine Reid, Stendhal et la pens\u00e9e du livre ; Fran\u00e7ois Vanoosthuyse, Ut pictura poesis ? Remarques sur le style de l&rsquo;<em>Histoire de la peinture en Italie<\/em> ; Marie-Pierre Chabanne, Eug\u00e8ne Delacroix, lecteur de l&rsquo;<em>Histoire de la peinture en Italie<\/em> ; Valentina Fortunato, Le t\u00e9l\u00e9graphe : d&rsquo;invention \u00e0 symbole der\u00e9gime. Aspects historiques et litt\u00e9raires ; Shigeru Shimokawa, Stendhal et <em>Jacques le Fataliste<\/em> ; Hans F\u00e4rnl\u00f6f, Pratique s po\u00e9tiques. Remarques sur la motivation dans <em>Le Rouge et le Noir<\/em>. NOTES ET DOCUMENTS : C. W. Thompson : Pourquoi Armance est-elle slave ? ; Fran\u00e7ois Bronner, L&rsquo;exemplaire de <em>La Chartreuse<\/em> offert \u00e0 Balzac ; Jacques Houbert : Deux lettres in\u00e9dites de Stendhal. Un \u00e9cho inconnu sur l&rsquo;\u00e9pisode de Waterloo. Portrait de l&rsquo;artiste en trois hommes d&rsquo;esprit. Contribution \u00e0 l&rsquo;hi stoire du stendhalisme (lettre in\u00e9dite de Martineau). Un portrait fant\u00f4me de Stendhal dans la collection Primoli. Paul D\u00e9salmand : D&rsquo;un chapeau l&rsquo;autre. Gorki parlant de Stendhal. <\/font><\/p>\n<p><font face=\"Verdana\" size=\"1\"> <strong>Prix EUR TTC: <\/strong> <\/font><font color=\"#cc0000\" face=\"Verdana\" size=\"1\"><strong> 35.00 <\/strong><\/font><\/p>\n<p><font face=\"Verdana\" size=\"1\"><a href=\"http:\/\/www.honorechampion.com\/\" title=\"Honor\u00e9 Champion\" target=\"_blank\">CHAMPION PARIS <\/a><\/font><\/p>\n<p><font face=\"Verdana\" size=\"1\">PARUTION: 15.05.07 <\/font><\/p>\n<p><font face=\"Verdana\" size=\"1\">COLLECTION: ANNEE STENDHALIENNE <\/font><\/p>\n<p><font face=\"Verdana\" size=\"1\">FORMAT: 15&#215;22<\/font><\/p>\n<p><font face=\"Verdana\" size=\"1\">432 pages<\/font> <font face=\"Verdana\" size=\"1\">broch\u00e9<\/font><\/p>\n<p><font face=\"Verdana\" size=\"1\">ISBN:<\/font> <font face=\"Verdana\" size=\"1\">9782745315373<\/font><\/p>\n<p><font face=\"Verdana\" size=\"1\">EAN:<\/font> <font face=\"Verdana\" size=\"1\">9782745315373<\/font><\/p>\n<p align=\"center\"><iframe src=\"http:\/\/rcm-fr.amazon.fr\/e\/cm?t=sitesten-21&amp;o=8&amp;p=8&amp;l=as1&amp;asins=2745315374&amp;fc1=000000&amp;IS2=1&amp;lt1=_blank&amp;lc1=0000FF&amp;bc1=000000&amp;bg1=FFFFFF&amp;f=ifr\" style=\"width: 120px; height: 240px\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L&rsquo;ANNEE STENDHALIENNE N\u00b06 2007. L&rsquo;HISTOIRE DE LA PEINTURE EN ITALIE Daniela Gallo, La Le\u00e7on de l&rsquo;antique ; Michel Gu\u00e9rin, Le Motif du \u00ab\u00a0beau moderne\u00a0\u00bb ; Mariella Di Maio, Dante et Michel-Ange ; Philippe Berthier, Peut-on voir Dieu en peinture ? &hellip; <a href=\"https:\/\/stendhal.fr\/?p=377\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2],"tags":[],"class_list":["post-377","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-65","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=377"}],"version-history":[{"count":0,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/377\/revisions"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}