{"id":317,"date":"2005-05-30T17:35:12","date_gmt":"2005-05-30T16:35:12","guid":{"rendered":"http:\/\/jy.reysset.free.fr\/wordpress\/?p=317"},"modified":"2008-07-10T09:53:11","modified_gmt":"2008-07-10T08:53:11","slug":"akemi-yamamoto-le-couvent-de-baiano-une-consideration-sur-lauteur-jco","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=317","title":{"rendered":"Akemi YAMAMOTO :Le Couvent de Ba\u00efano :Une Consid\u00e9ration sur l&rsquo;auteur, J&#8230;C&#8230;o-"},"content":{"rendered":"<p>Le 29 mai 2005 \u00e0 Tokyo (Congr\u00e8s de la Soci\u00e9t\u00e9 Japonaise de Langue et de Litt\u00e9rature Fran\u00e7aises) Akemi YAMAMOTO :Le Couvent de Ba\u00efano :Une Consid\u00e9ration sur l&rsquo;auteur, J&#8230;C&#8230;o-<br \/>\nR\u00e9sum\u00e9:<\/p>\n<p>Le <em>Couvent de Ba\u00efano<\/em>, chronique du seizi\u00e8me si\u00e8cle, publi\u00e9 le 22 ao\u00fbt 1829, est cens\u00e9 \u00eatre la seule traduction du texte de 1820(B.N.,Ms.Ital.179), source de <em>Trop de faveur tue<\/em> et de <em>Suora Scolastica,<\/em> mais l&rsquo;auteur nomm\u00e9 J&#8230;C&#8230;o reste encore non identifi\u00e9, car, entre autres, Del Litto souligne que le style n&rsquo;est pas stendhalien. Mais d&rsquo;innombrables ressemblances avec les \u00e9l\u00e9ments de notre \u00e9crivain nous frappent, d&rsquo;autant plus qu&rsquo;il a traduit par lui-m\u00eame les autres manuscrits italiens, avant de les adapter aux \u0153uvres des <em>Chroniques italiennes<\/em>.<br \/>\nD&rsquo;ailleurs, ce n&rsquo;est pas le style, mais ce sont les trois crit\u00e8res, \u00e0 savoir, la \u00ab tournure \u00bb, les \u00ab id\u00e9es \u00bb et les noms familiers \u00e0 Stendhal qui ont permis \u00e0 M. Del Litto lui-m\u00eame d&rsquo;identifier Stendhal comme l&rsquo;auteur  D<em>&lsquo;Un Nouveau Complot contre les Industriels <\/em>etc.,.<br \/>\nBref, \u00e0 part Stendhal, qui aurait eu quelques profits, \u00e0 la veille de la R\u00e9volution de Juillet, \u00e0 imiter si minutieusement ses \u0153uvres et \u00e0 pr\u00e9voir m\u00eame ses cr\u00e9ations ult\u00e9rieures, glorifiant \u00ab M. de Stendhall \u00bb comme \u00e9crivain voyageur qui caract\u00e9rise les Italiens \u00ab sans attaquer directement les gouvernemens \u00bb ?<\/p>\n<p align=\"right\">Akemi YAMAMOTO<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le 29 mai 2005 \u00e0 Tokyo (Congr\u00e8s de la Soci\u00e9t\u00e9 Japonaise de Langue et de Litt\u00e9rature Fran\u00e7aises) Akemi YAMAMOTO :Le Couvent de Ba\u00efano :Une Consid\u00e9ration sur l&rsquo;auteur, J&#8230;C&#8230;o- R\u00e9sum\u00e9: Le Couvent de Ba\u00efano, chronique du seizi\u00e8me si\u00e8cle, publi\u00e9 le 22 &hellip; <a href=\"https:\/\/stendhal.fr\/?p=317\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[4],"tags":[],"class_list":["post-317","post","type-post","status-publish","format-standard","hentry","category-conferences"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-57","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=317"}],"version-history":[{"count":0,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/317\/revisions"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}