{"id":303,"date":"2006-10-02T12:13:23","date_gmt":"2006-10-02T11:13:23","guid":{"rendered":"http:\/\/jy.reysset.free.fr\/wordpress\/?p=303"},"modified":"2008-07-10T13:26:38","modified_gmt":"2008-07-10T12:26:38","slug":"303","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=303","title":{"rendered":"L&rsquo;Abbesse de Castro"},"content":{"rendered":"<h3 class=\"title\">L&rsquo;Abbesse de Castro<\/h3>\n<p>\u00ab\u00a0Le bibliophile dauphinois Eug\u00e8ne Chaper poss\u00e9dait deux ouvrages annot\u00e9s        de Stendhal: <em>La Chartreuse de Parme<\/em>, <em>L&rsquo;Abbesse de Castro<\/em>.        Aujourd&rsquo;hui, <em>La Chartreuse<\/em> Chaper se trouve \u00e0 la Pierpont Morgan        Library de New York. Un stendhalien averti doubl\u00e9 d&rsquo;un bibliophile (les        deux ne sont pas incompatibles) saurait-il ce qu&rsquo;est devenu <em>L&rsquo;Abbesse        de Castro<\/em>? La question est pos\u00e9e en vue de l&rsquo;\u00e9tablissement du texte        pour la nouvelle \u00e9dition de La Pl\u00e9iade.\u00a0\u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"<p>L&rsquo;Abbesse de Castro \u00ab\u00a0Le bibliophile dauphinois Eug\u00e8ne Chaper poss\u00e9dait deux ouvrages annot\u00e9s de Stendhal: La Chartreuse de Parme, L&rsquo;Abbesse de Castro. Aujourd&rsquo;hui, La Chartreuse Chaper se trouve \u00e0 la Pierpont Morgan Library de New York. Un stendhalien averti doubl\u00e9 d&rsquo;un &hellip; <a href=\"https:\/\/stendhal.fr\/?p=303\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[10],"tags":[],"class_list":["post-303","post","type-post","status-publish","format-standard","hentry","category-questions"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s34K8b-303","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=303"}],"version-history":[{"count":0,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/303\/revisions"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}