{"id":288,"date":"2006-03-04T11:09:46","date_gmt":"2006-03-04T10:09:46","guid":{"rendered":"http:\/\/jy.reysset.free.fr\/wordpress\/?p=288"},"modified":"2008-07-11T09:35:23","modified_gmt":"2008-07-11T08:35:23","slug":"288","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=288","title":{"rendered":"STENDHAL, LES ROMANTIQUES ET LE TOURNANT DE 1830"},"content":{"rendered":"

STENDHAL, LES ROMANTIQUES ET LE TOURNANT DE 1830
\n<\/strong><\/em> Colloque international organis\u00e9 les 10 et 11 mars 2006
\npar <\/span><\/font> Stendhal aujourd\u2019hui<\/em>, Soci\u00e9t\u00e9 internationale d\u2019\u00e9tudes stendhaliennes,
\net <\/span><\/font>HB<\/em>, Revue internationale d\u2019\u00e9tudes stendhaliennes<\/strong><\/p>\n

Mus\u00e9e d\u2019Art et d\u2019Histoire de Saint-Denis, Universit\u00e9 de Paris-Sorbonne<\/strong>
\n
\n<\/strong><\/span><\/font><\/p>\n

<\/font>Vendredi 10 mars<\/strong><\/span><\/font> , Mus\u00e9e d\u2019Art et d\u2019Histoire, 22 bis, rue G. P\u00e9ri 93200 Saint-Denis<\/strong><\/span><\/font> <\/span><\/font>(M\u00e9tro : Saint-Denis-Porte-de-Paris)
\n<\/strong><\/span><\/font> 9h15<\/strong> Pierrette Pavet-J\u00f6rg (Paris)
\n<\/span><\/font> <\/span><\/font> Les com\u00e9diens et les romantiques vers 1830
\n<\/span><\/font> <\/span><\/font>
\n<\/em><\/span><\/font> 9h45 <\/em> Sigbrit Swahn (Universit\u00e9 d\u2019Uppsala)
\n<\/span><\/font> <\/span><\/font> Le regain de la nouvelle. L\u2019artiste dans les premi\u00e8res Sc\u00e8nes de la vie priv\u00e9e<\/em><\/span><\/font> de Balzac
\n10h15 Discussion et pause
\n<\/em><\/span><\/font>
\n10h45 Fran\u00e7oise Guinoiseau (IUFM Lyon)
\n<\/span><\/font> <\/span><\/font> Incandescence de Charles Fourier. Fourier es-tu toujours l\u00e0<\/em><\/span><\/font> ?<\/p>\n

11h15 Marie de Gandt (Universit\u00e9 de Nice)
\n<\/span><\/font> \u00abL\u2019\u00e9cole du d\u00e9senchantement \u00bb
\n11h45 Discussion et d\u00e9jeuner
\n<\/em><\/span><\/font><\/p>\n

14h15<\/strong> Suzel Esquier (CRRR, Universit\u00e9 de Clermont-Ferrand)
\n<\/span><\/font> <\/span><\/font> De Hoffmann \u00e0 Berlioz, le fantastique dans la nouvelle<\/p>\n

14h45 Kajsa Andersson (Universit\u00e9 d\u2019\u00d6rebro)
\n<\/span><\/font> <\/span><\/font> Marceline Desbordes-Valmore
\n15h15 <\/span><\/font> Discussion et pause
\n<\/em><\/span><\/font>
\n<\/span><\/font> 15h45 Pierrette-Marie Neaud (Paris)
\n<\/span><\/font> <\/span><\/font> Daumier et ses lithographies de jeunesse
\n<\/span><\/font>
\n<\/span><\/font> 16h15 Pierre Laforgue (Universit\u00e9 de Franche-Comt\u00e9)
\n<\/span><\/font> <\/span><\/font> Romantisme et antiromantisme de Balzac (1830-1831)
\n<\/span><\/font><\/p>\n

<\/span><\/font> Samedi 11 mars, Universit\u00e9 de Paris-Sorbonne, Paris IV, Salle des Actes<\/strong><\/span><\/font> <\/strong><\/span><\/font>(Entr\u00e9e : cour de la Sorbonne, galerie Gerson)<\/strong><\/span><\/font>
\n<\/strong><\/span><\/font>9h15<\/strong> Max Andr\u00e9oli (Grasse)
\n<\/span><\/font> <\/span><\/font> 1830, parach\u00e8vement de 93 ?<\/p>\n

9h45 Barbara Dimopoulou (Universit\u00e9 de Paris III)
\n<\/span><\/font> <\/span><\/font> Histoire du roi de Boh\u00eame et de ses sept ch\u00e2teaux<\/em><\/span><\/font> : une curiosit\u00e9 romantique
\n10h15 <\/span><\/font> Discussion et pause
\n<\/em><\/span><\/font>
\n<\/span><\/font> 10h45 Nicolas Boussard (Tours)
\n<\/span><\/font> <\/span><\/font> Le peuple de France et le peuple de Rome en 1830 selon Stendhal<\/p>\n

11h15 Marthe Peyroux (Paris)
\n<\/span><\/font> <\/span><\/font> Eug\u00e8ne Scribe, librettiste et dramaturge : La Muette de Portici
\n<\/em><\/span><\/font> 11h45 Discussion et d\u00e9jeuner
\n<\/em><\/span><\/font>
\n<\/span><\/font> Samedi 11 mars, Universit\u00e9 de Paris-Sorbonne, Paris IV, Salle des Actes <\/span><\/font> (Entr\u00e9e : cour d\u2019honneur, galerie Gerson)<\/p>\n

<\/span><\/font>
\n<\/span><\/font>
\n<\/span><\/font> 14h15 <\/strong> C\u00e9cile Meynard (Universit\u00e9 de Grenoble III)
\n<\/span><\/font> <\/span><\/font> 1830 : \u00ab Une r\u00e9volution sans h\u00e9ros \u00bb. La constitution du peuple comme acteur collectif
\ndans la litt\u00e9rature apr\u00e8s 1830. L\u2019exemple de Victor Hugo en 1830.<\/p>\n

14h45 Elisabeth Scheele (Paris)
\n<\/span><\/font> <\/span><\/font> Pr\u00e9mices et \u00e9chos de Juillet chez Heine, B\u00f6rne et Stendhal
\n15h15 Discussion et pause<\/em><\/p>\n

<\/span><\/font> 15h45 Joseph-Marc Bailb\u00e9 (Universit\u00e9 de Haute-Normandie, Caen)
\n<\/span><\/font> <\/span><\/font> Emmeline <\/em><\/span><\/font>(1837) d\u2019Alfred de Musset : un aspect original de la nouvelle romantique<\/p>\n

16h15 Michel Crouzet (Universit\u00e9 de Paris IV)
\n<\/span><\/font> <\/span><\/font> La laideur dans Le Rouge et le noir<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

STENDHAL, LES ROMANTIQUES ET LE TOURNANT DE 1830 Colloque international organis\u00e9 les 10 et 11 mars 2006 par Stendhal aujourd\u2019hui, Soci\u00e9t\u00e9 internationale d\u2019\u00e9tudes stendhaliennes, et HB, Revue internationale d\u2019\u00e9tudes stendhaliennes Mus\u00e9e d\u2019Art et d\u2019Histoire de Saint-Denis, Universit\u00e9 de Paris-Sorbonne Vendredi … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6],"tags":[],"class_list":["post-288","post","type-post","status-publish","format-standard","hentry","category-colloques"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s34K8b-288","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=288"}],"version-history":[{"count":0,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/288\/revisions"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=288"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=288"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}