{"id":194,"date":"2006-05-04T01:59:59","date_gmt":"2006-05-04T00:59:59","guid":{"rendered":"http:\/\/jy.reysset.free.fr\/wordpress\/?p=194"},"modified":"2008-07-11T09:33:38","modified_gmt":"2008-07-11T08:33:38","slug":"la-pensee-du-paradoxehommage-a-michel-crouzet","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=194","title":{"rendered":"La pens\u00e9e du paradoxe.Hommage \u00e0 Michel Crouzet"},"content":{"rendered":"<p align=\"center\">&nbsp;<\/p>\n<p align=\"center\">\n<iframe src=\"http:\/\/rcm-fr.amazon.fr\/e\/cm?t=sitesten-21&amp;o=8&amp;p=8&amp;l=as1&amp;asins=2840504545&amp;fc1=000000&amp;IS2=1&amp;lt1=_blank&amp;lc1=0000FF&amp;bc1=000000&amp;bg1=FFFFFF&amp;f=ifr\" style=\"width: 120px; height: 240px\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n<\/p>\n<p align=\"center\">&nbsp;<\/p>\n<p align=\"center\">Fabienne Bercegol et Didier Philippot (dir)<\/p>\n<p align=\"center\"><strong>La pens\u00e9e du paradoxe<\/strong><\/p>\n<p align=\"center\">Approches du romantisme<\/p>\n<p align=\"center\">Hommage \u00e0 Michel Crouzet<\/p>\n<p>L&rsquo;hommage que nous rendons ici \u00e0 Michel Crouzet est aussi fid\u00e8le que<br \/>\npossible \u00e0 une pens\u00e9e qui s&rsquo;est toujours voulue en mouvement. L&rsquo;esptit<br \/>\ndu jeu y r\u00e8gne et suit la courbe m\u00eame d&rsquo;une oeuvre qui n&rsquo;a cess\u00e9<br \/>\nd&rsquo;interroger la proximit\u00e9 du <em>romantisme<\/em> et du <em>paradoxe<\/em>.<br \/>\nAmis,<br \/>\ncoll\u00e8gues et \u00e9l\u00e8ves, sp\u00e9cialistes de tous les si\u00e8cles explorent les<br \/>\naffinit\u00e9s entre la litt\u00e9rature et le jeu: la pens\u00e9e paradoxale de la<br \/>\nlitt\u00e9rature est une v\u00e9ritable pens\u00e9e du paradoxe. Les quarante-cinq<br \/>\n\u00e9tudes r\u00e9unies dans ce volume ont \u00e9t\u00e9 con\u00e7ues \u00e0 partir d &lsquo;une commune<br \/>\norientation : elles conduisent toutes du domaine romantique vers la<br \/>\ndialectique du jeu et du s\u00e9rieux, et parcourent le versant de l&rsquo;<em>esprit<\/em><br \/>\n(r\u00e9el et jeu, \u00e9critures ludiques, jeu et conventions) et celui,<br \/>\napparemment oppos\u00e9, du <em>sublime<\/em> (esth\u00e9tique et \u00e9rotique),<br \/>\ndont Michel Crouzet a montr\u00e9 qu&rsquo;il \u00e9tait la voie romantique par<br \/>\nexcellence.<\/p>\n<p>Format :14,5 x 21 cm<\/p>\n<p>ISSN :1269-7621<\/p>\n<p>ISBN : 2-84050-454-5<\/p>\n<p align=\"left\">Prix public 32\u20ac<\/p>\n<p>Prix de souscription :25 \u20ac (jusqu&rsquo;au 1&Prime; juin 2006)<\/p>\n<p>M\u00e9moire de la critique<\/p>\n<p><a href=\"http:\/\/www.presses-sorbonne.info\">La Sorbonne<\/a>,<br \/>\n\u00e9diteur-imprimeur depuis 1470<\/p>\n<p>Pour plus d&rsquo;informations consulter le <a href=\"http:\/\/www.armance.com\/Crouzet.pdf\">document<br \/>\nsuivant<\/a> (format pdf)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; Fabienne Bercegol et Didier Philippot (dir) La pens\u00e9e du paradoxe Approches du romantisme Hommage \u00e0 Michel Crouzet L&rsquo;hommage que nous rendons ici \u00e0 Michel Crouzet est aussi fid\u00e8le que possible \u00e0 une pens\u00e9e qui s&rsquo;est toujours voulue en &hellip; <a href=\"https:\/\/stendhal.fr\/?p=194\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-194","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-38","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/194","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=194"}],"version-history":[{"count":0,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/194\/revisions"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=194"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=194"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}