FINITUDE<\/a><\/p>\n\n\n\nroman \/ 2026 \/ 13,5 x 20 cm \/ 160 pages \/ ISBN 978-2-36339-243-5 \/ 18 \u20ac<\/p>\n\n\n\n
Sigisb\u00e9e : chevalier servant d\u2019une dame, choisi par son mari, qui s\u2019engage \u00e0 l\u2019assister et \u00e0 l\u2019accompagner en toutes circonstances, palliant ainsi les absences, ou parfois l\u2019indiff\u00e9rence, de celui-ci. La pratique est courante dans l\u2019Italie du XVIIIe si\u00e8cle.
Venise n\u2019est que splendeurs et f\u00eates pour la belle Caterina Querini. Peut-\u00eatre parce qu\u2019elle est doublement amoureuse : de son \u00e9poux et du jeune Fran\u00e7ais que celui-ci lui a choisi pour sigisb\u00e9e. De ce trio amoureux est n\u00e9e une fille, Giulia. Le jour o\u00f9 la fillette est enlev\u00e9e par l\u2019un de ses deux p\u00e8res, Caterina voit son monde s\u2019effondrer.?Quinze ans plus tard, Caterina, recluse dans un couvent, \u00e9crit \u00e0 son ami Henri Beyle \u2013 jeune \u00e9crivain qui ne signe pas encore Stendhal \u2013 pour le charger de retrouver Giulia.?En inventant une ascendance romanesque \u00e0 Giulia, le dernier amour de Stendhal, Mathilde Desach\u00e9 d\u00e9poussi\u00e8re avec esprit le roman \u00e9pistolaire.<\/p>\n\n\n\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Le Sigisb\u00e9eMathilde DESACH\u00c9 \u00c9diteur FINITUDE roman \/ 2026 \/ 13,5 x 20 cm \/ 160 pages \/ ISBN 978-2-36339-243-5 \/ 18 \u20ac Sigisb\u00e9e : chevalier servant d\u2019une dame, choisi par son mari, qui s\u2019engage \u00e0 l\u2019assister et \u00e0 l\u2019accompagner en … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-1911","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-uP","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1911"}],"version-history":[{"count":1,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1911\/revisions"}],"predecessor-version":[{"id":1912,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1911\/revisions\/1912"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1911"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1911"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}