{"id":190,"date":"2006-09-03T01:59:59","date_gmt":"2006-09-03T00:59:59","guid":{"rendered":"http:\/\/jy.reysset.free.fr\/wordpress\/?p=190"},"modified":"2008-07-10T13:26:43","modified_gmt":"2008-07-10T12:26:43","slug":"revue-hb-n%c2%b0-7-8","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=190","title":{"rendered":"Revue HB N\u00b0 7-8"},"content":{"rendered":"

Vient de para\u00eetre : HB n\u00b0 7-8 <\/strong><\/p>\n

Clarisse R\u00e9qu\u00e9na, \u00ab\u00a0Prosper M\u00e9rim\u00e9e : Le Cor au pied, une plaisanterie
\noubli\u00e9e\u00a0\u00bb.
\nDossier : Stendhal et la singularit\u00e9<\/strong><\/p>\n

Serge
\nS\u00e9rodes, \u00ab\u00a0Erotique et singularit\u00e9 dans la fiction stendhalienne\u00a0\u00bb
\nPierrette
\nPavet-J\u00f6rg, \u00ab\u00a0L’impr\u00e9vu : une cl\u00e9 de la singularit\u00e9 chez Stendhal?\u00a0\u00bb
\nKosei
\nKurisu : \u00ab\u00a0Id\u00e9e de la singularit\u00e9 dans les romans de Stendhal\u00a0\u00bb
\nPierrette-Marie
\nNeaud, \u00ab\u00a0Vanina Vanini<\/em> : une g\u00e9nie singulier\u00a0\u00bb
\nVaria<\/strong><\/p>\n

Gabrielle Pascal : \u00ab\u00a0Stendhal et la vie\u00a0\u00bb
\nFlorence
\nBoussard-Umdenstock, \u00ab\u00a0Stendhal et la m\u00e9decine romantique\u00a0\u00bb
\nEdwige
\nThomas, \u00ab\u00a0La tentation g\u00e9om\u00e9trique dans la vie de
\nHenry Brulard<\/em>\u00a0\u00bb
\nChristian Pierre, \u00ab\u00a0Note sur la fonction des
\ncroquis dans les oeuvres autobiographiques de Stendhal\u00a0\u00bb
\nNobuhiro
\nTakaki, \u00ab\u00a0L’hypoth\u00e8se du voyage \u00e0 Grenoble en 1828 : pr\u00e9cisions sur la
\ngen\u00e8se du Rouge et le Noir<\/strong><\/em>\u00a0\u00bb
\nKosei
\nKurisu, \u00ab\u00a0Stendhal et Mishima. Armance <\/em>et Vanina Vanini<\/em>,
\ndeux oeuvres \u00e0 l’origine de l’inspiration cr\u00e9atrice\u00a0\u00bb
\nSandrine
\nBerthelot, \u00ab\u00a0Robert Macaire charivaris\u00e9\u00a0\u00bb
\nPatrick
\nBrunel, \u00ab\u00a0Henri de Montherlant : un \u00e9crivain beyliste ?\u00a0\u00bb
\nMichel
\nCrouzet, \u00ab\u00a0M\u00e9rim\u00e9e, Stendhal et l’h\u00e9ro\u00efne capricieuse : Lamiel et Carmen\u00a0\u00bb
\nNotes<\/strong><\/p>\n

Takahi Gohira, \u00ab\u00a0La publication de Stendhal
\naux mille couleurs\u00a0\u00bb
\nMarthe Peyroux, \u00ab\u00a0Le Colis\u00e9e. Piran\u00e8se,
\nStendhal et Marguerite Yourcenar. A chacun ses raisons d’admirer\u00a0\u00bb.
\nAkbar
\nAsghari Tabrizi, \u00ab\u00a0L’Enl\u00e8vement de la redoute<\/em> de
\nProsper M\u00e9rim\u00e9e. Une relation stendhalienne d’un \u00e9pisode de la campagne
\nde Russie ?\u00a0\u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"

Vient de para\u00eetre : HB n\u00b0 7-8 Clarisse R\u00e9qu\u00e9na, \u00ab\u00a0Prosper M\u00e9rim\u00e9e : Le Cor au pied, une plaisanterie oubli\u00e9e\u00a0\u00bb. Dossier : Stendhal et la singularit\u00e9 Serge S\u00e9rodes, \u00ab\u00a0Erotique et singularit\u00e9 dans la fiction stendhalienne\u00a0\u00bb Pierrette Pavet-J\u00f6rg, \u00ab\u00a0L’impr\u00e9vu : une cl\u00e9 … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2],"tags":[],"class_list":["post-190","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-34","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/190","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=190"}],"version-history":[{"count":0,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/190\/revisions"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=190"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=190"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}