{"id":1896,"date":"2026-01-20T10:51:41","date_gmt":"2026-01-20T09:51:41","guid":{"rendered":"https:\/\/stendhal.fr\/?p=1896"},"modified":"2026-01-20T10:51:43","modified_gmt":"2026-01-20T09:51:43","slug":"stendhal-lettres-sur-metastase","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=1896","title":{"rendered":"STENDHAL Lettres sur M\u00e9tastase"},"content":{"rendered":"\n<h6 class=\"wp-block-heading has-text-align-center\"><strong>STENDHAL<\/strong><\/h6>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><em>Lettres sur M\u00e9tastase<\/em><\/h4>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/www.arcadesambo.com\/titres\/lettres-sur-metastase\">Arcades Ambo<\/a><\/strong><\/p>\n\n\n\n<p>Les deux <em><strong>Lettres sur M\u00e9tastase<\/strong><\/em> que Stendhal donna pour clore ses <em>Vies de Haydn et de Mozart<\/em> n&rsquo;avaient jamais vraiment retenu l&rsquo;attention, alors qu&rsquo;elle pr\u00e9sentent un vif int\u00e9r\u00eat pour compl\u00e9ter le portrait de l&rsquo;\u00e9crivain, tout en donnant \u00e0 d\u00e9couvrir (ou red\u00e9couvrir) le plus grand po\u00e8te dramatique du XVIIIe si\u00e8cle, qui fournit ses livrets d&rsquo;op\u00e9ra \u00e0 tous les grands compositeurs de\u00a0l&rsquo;Europe de son temps (Hasse, Porpora, Pergol\u00e8se, Jommelli, Mozart,etc.)<br \/><br \/>L&rsquo;\u00e9dition que procure ici Michel Orcel est la premi\u00e8re v\u00e9ritable \u00e9dition critique de ces deux lettres, fond\u00e9e sur l&rsquo;\u00e9dition de 1817, la seule qui ait \u00e9t\u00e9 revue par Stendhal. Nous avons soigneusement signal\u00e9 les corrections manquantes \u00e0 cette \u00e9dition (fran\u00e7ais et italien) et r\u00e9tabli l&rsquo;orthographe originale de Stendhal.\u00a0<br \/><br \/>Outre l&rsquo;apparat critique, Michel Orcel offre \u00e9galement ici une nouvelle traduction de la canzonetta <em>La Libert\u00e0.\u00a0<br \/><br \/><\/em>Cette publication (qui a fait l&rsquo;objet d&rsquo;une \u00e9dition num\u00e9rot\u00e9e, parue le 15 d\u00e9cembre) est ici offerte \u00e0 tout un chacun.<\/p>\n\n\n\n<p>Nice, Arcades Ambo, coll. \u00ab\u00a0Litt\u00e9rature et Sciences humaines\u00a0\u00bb, 18 Janvier 2026<\/p>\n\n\n\n<p>Format : 14,8 x 21<br \/>Pages : 80<br \/>Prix Papier : 16.00<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>STENDHAL Lettres sur M\u00e9tastase Arcades Ambo Les deux Lettres sur M\u00e9tastase que Stendhal donna pour clore ses Vies de Haydn et de Mozart n&rsquo;avaient jamais vraiment retenu l&rsquo;attention, alors qu&rsquo;elle pr\u00e9sentent un vif int\u00e9r\u00eat pour compl\u00e9ter le portrait de l&rsquo;\u00e9crivain, &hellip; <a href=\"https:\/\/stendhal.fr\/?p=1896\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-1896","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-uA","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1896","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1896"}],"version-history":[{"count":3,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1896\/revisions"}],"predecessor-version":[{"id":1899,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1896\/revisions\/1899"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1896"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1896"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1896"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}