{"id":1666,"date":"2022-02-02T11:05:00","date_gmt":"2022-02-02T10:05:00","guid":{"rendered":"https:\/\/stendhal.fr\/?p=1666"},"modified":"2022-02-02T11:53:37","modified_gmt":"2022-02-02T10:53:37","slug":"stendhal-le-coup-de-poignard-italien-michel-crouzet","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=1666","title":{"rendered":"Stendhal Le coup de poignard italien Michel Crouzet"},"content":{"rendered":"\n<p class=\"has-text-align-center\"> <strong>Michel Crouzet<br \/> <em>Stendhal  Le coup de poignard italien<\/em><br \/> suivi de<br \/> <em>Stendhal Le r\u00e9cit tragique<\/em><br \/> Avant-propos de<br \/> Michel Arrous<\/strong><br \/> <a href=\"http:\/\/www.euredit-editions.com\/f\/index.php?sp=liv&amp;livre_id=241\" target=\"_blank\" rel=\"noreferrer noopener\" title=\"Eur\u00e9dit Stendhal Le coup de poignard italien CROUZET\">Eur\u00e9dit<\/a><\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>Date de parution&nbsp;: 2021 ISBN&nbsp;: 978-2-84830-251-5 14 x 20,5 cm dos carr\u00e9 coll\u00e9 194 pages<br \/>45&nbsp;\u20ac<\/em><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><a href=\"https:\/\/stendhal.fr\/wp-content\/2022\/02\/Stendhal-le-coup-de-poignard-italien-.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"160\" height=\"233\" src=\"https:\/\/stendhal.fr\/wp-content\/2022\/02\/Stendhal-le-coup-de-poignard-italien-.jpg\" alt=\"\" class=\"wp-image-1675\"\/><\/a><figcaption>Stendhal le coup de poignard italien Michel Crouzet<\/figcaption><\/figure><\/div>\n\n\n\n<p>La \u00ab&nbsp;mati\u00e8re \u00bb tragique de l&rsquo;Italie, Stendhal l&rsquo;exploite en virtuose de la r\u00e9\u00e9criture, dans ses r\u00e9cits de voyages, avec d&rsquo;innombrables variations sur le th\u00e8me de la violence et de la vengeance, comme dans ses nouvelles et ses chroniques, ces histoires d&rsquo;amour et de sang qu&rsquo;il affectionne. On lit dans son \u0153uvre une histoire de l&rsquo;Italie en fonction du \u00ab coup de poignard \u00bb, un \u00e9loge ou une c\u00e9l\u00e9bration esth\u00e9tique de l&rsquo;assassinat. L&rsquo;Italie est la terre de la passion vindicative o\u00f9 le crime est un idiotisme moral. Dans ce pays o\u00f9 l&rsquo;on assassinerait \u00e0 tout va, l&rsquo;offens\u00e9 n&rsquo;attend pas une justice trop lente : le \u00ab coup de poignard \u00bb, c&rsquo;est la justice foudroyante du Moi. Acte de sensibilit\u00e9 pure et violente, cet acte de justice priv\u00e9e est profond\u00e9ment passionnel. On tue pour les passions et par passion. Cette \u00ab mati\u00e8re \u00bb d&rsquo;Italie, on la retrouve dans le \u00ab r\u00e9cit tragique \u00bb domin\u00e9 par la figure de l&rsquo;h\u00e9ro\u00efne.Au roman qui raconte la rencontre de deux c\u0153urs, s&rsquo;oppose la nouvelle o\u00f9 les amants sont des ennemis que tout s\u00e9pare.<br \/>Alors la passion tend au d\u00e9sastre.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Michel Crouzet Stendhal Le coup de poignard italien suivi de Stendhal Le r\u00e9cit tragique Avant-propos de Michel Arrous Eur\u00e9dit Date de parution&nbsp;: 2021 ISBN&nbsp;: 978-2-84830-251-5 14 x 20,5 cm dos carr\u00e9 coll\u00e9 194 pages45&nbsp;\u20ac La \u00ab&nbsp;mati\u00e8re \u00bb tragique de l&rsquo;Italie, &hellip; <a href=\"https:\/\/stendhal.fr\/?p=1666\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2],"tags":[],"class_list":["post-1666","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-qS","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1666","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1666"}],"version-history":[{"count":13,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1666\/revisions"}],"predecessor-version":[{"id":1688,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1666\/revisions\/1688"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1666"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1666"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}