{"id":1501,"date":"2021-01-28T10:25:05","date_gmt":"2021-01-28T09:25:05","guid":{"rendered":"http:\/\/www.stendhal.fr\/?p=1501"},"modified":"2021-01-28T10:25:05","modified_gmt":"2021-01-28T09:25:05","slug":"hb-revue-internationale-detudes-stendhaliennes-n-24-2020","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=1501","title":{"rendered":"HB, revue internationale d&rsquo;\u00e9tudes stendhaliennes, n\u00b0 24, 2020"},"content":{"rendered":"<div class=\"presentation bordure-bottom\">\n<p style=\"text-align: center;\"><strong><em>HB, revue internationale d&rsquo;\u00e9tudes stendhaliennes<\/em>, n\u00b0 24, 2020.<\/strong><\/p>\n<p style=\"text-align: center;\">Un vol. 17 x 24,5 cm, 354 p., 14 ill. coul.<\/p>\n<p style=\"text-align: center;\">ISBN\u00a0: 978-2-84830-247-8 \/ ISSN\u00a0: 1287-3209. Prix France et \u00e9tranger\u00a0: 77 \u20ac ttc<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/euredit-editions.com\/f\/index.php?sp=coll&amp;collection_id=7\" target=\"_blank\" rel=\"noopener\">EUREDIT<\/a><\/p>\n<p><strong>DOSSIER <\/strong><strong>STENDHAL, <\/strong><strong>LE R\u00c9EL ET LE R\u00c9ALISME <\/strong>COLLOQUE PARIS-SORBONNE-PARIS IV 22 ET 23 MARS 2019 ORGANIS\u00c9 PAR STENDHAL AUJOURD\u2019HUI<\/p>\n<p><em>Textes r\u00e9unis et pr\u00e9sent\u00e9s par <\/em><em>Michel ARROUS<\/em><\/p>\n<p><strong>STENDHAL, LE R\u00c9EL ET LE R\u00c9ALISME<\/strong><\/p>\n<p>PR\u00c9SENTATION<\/p>\n<p><em>par Michel Arrous<\/em> 9<\/p>\n<p>\u00c9tat des lieux descriptif. Esth\u00e9tique de la description<\/p>\n<p>au d\u00e9but du XIX<sup>e<\/sup> si\u00e8cle<\/p>\n<p><em>par Nicolas Perot <\/em>15<\/p>\n<p>Retour \u00e0 la \u00ab\u00a0cat\u00e9gorie du \u201cr\u00e9el\u201d\u00a0\u00bb.<\/p>\n<p>La probl\u00e9matique philosophique de Georges Blin<\/p>\n<p><em>par Ferdinand Collier<\/em> 25<\/p>\n<p>La tour Farn\u00e8se et l\u2019espace retrouv\u00e9\u00a0:<\/p>\n<p>l\u2019utilisation de l\u2019architecture dans <em>La Chartreuse de Parme<\/em><\/p>\n<p><em>par Fabio Melo<\/em> 59<\/p>\n<p>Le hasard et le r\u00e9el dans <em>La Chartreuse de Parme<\/em><\/p>\n<p><em>par Encarnaci\u00f3n Medina Arjona<\/em> 69<\/p>\n<p>\u00c0 propos des <em>Romans abandonn\u00e9s<\/em>.<\/p>\n<p>La r\u00e9alisation du r\u00e9cit stendhalien<\/p>\n<p><em>par Thierry Ozwald<\/em> 81<\/p>\n<p>L\u2019op\u00e9ra\u00a0: une autre r\u00e9alit\u00e9<\/p>\n<p><em>par B\u00e9atrice Didier<\/em> 99<\/p>\n<p>La surprise dans une phrase\u00a0: r\u00e9alisme et saugrenu chez Stendhal<\/p>\n<p><em>par Siyang Wang<\/em> 109<\/p>\n<p>R\u00e9alit\u00e9 trompeuse \u2013 Mentir-vrai dans<em> Le Rouge et le Noir<\/em>.<\/p>\n<p>L\u2019ascension sociale de Julien Sorel<\/p>\n<p><em>par Lydia Bauer<\/em> 123<\/p>\n<p>La bataille de la v\u00e9rit\u00e9 au Salon de 1824<\/p>\n<p><em>par Marie-Pierre Chabanne<\/em> 135<\/p>\n<p>&nbsp;<\/p>\n<p><strong>VARIA<\/strong><\/p>\n<p>Le Sud, \u00ab\u00a0fatal triangle de l\u2019esprit\u00a0\u00bb<\/p>\n<p><em>par Andr\u00e9e Mansau<\/em> 159<\/p>\n<p>Stendhal lecteur de Shakespeare en 1838\u00a0: ombre port\u00e9e du <em>bard<\/em><\/p>\n<p>sur la gen\u00e8se de <em>La Chartreuse de Parme<\/em><\/p>\n<p><em>par Ferdinand Breffi <\/em>169<\/p>\n<p>De l\u2019amour ou la vengeance d\u2019un don Juan amoureux\u00a0:<\/p>\n<p>Stendhal <em>vs<\/em> M\u00e9tilde<\/p>\n<p><em>par Shigeru Shimokawa<\/em> 191<\/p>\n<p><em>Corinne<\/em> de M<sup>me<\/sup> de Sta\u00ebl dans<em> Colomba<\/em> de M\u00e9rim\u00e9e<\/p>\n<p><em>par Clarisse R\u00e9qu\u00e9na<\/em> 203<\/p>\n<p>Une exploration transm\u00e9diatique de la Nature\u00a0:<\/p>\n<p><em>Mateo Falcone<\/em>, film d\u2019\u00c9ric Vuillard, BD de Fr\u00e9d\u00e9ric Bertocchini<\/p>\n<p><em>par Fatima Seddaoui<\/em> 213<\/p>\n<p>Lieux m\u00e9rim\u00e9ens en Roussillon\u00a0:<\/p>\n<p>quelques \u00e9l\u00e9ments nouveaux<\/p>\n<p><em>par Sylvain Chevauch\u00e9 et Clarisse R\u00e9qu\u00e9na<\/em> 227<\/p>\n<p>Val\u00e9ry et<em> Lucien Leuwen<\/em><\/p>\n<p><em>par Nobuhiro Takaki<\/em> 245<\/p>\n<p>Femmes du Midi chez Stendhal et M\u00e9rim\u00e9e<\/p>\n<p><em>par Concetta Rita Angelone<\/em> 257<\/p>\n<p>&nbsp;<\/p>\n<p><strong>NOTES<\/strong><\/p>\n<p>Le \u00ab\u00a0Miro\u00a0\u00bb de <em>La V\u00e9nus d\u2019Ille<\/em> \u00e0 la cath\u00e9drale d\u2019Elne\u00a0?<\/p>\n<p><em>par Clarisse R\u00e9qu\u00e9na<\/em> 301<\/p>\n<p><em>Le Rouge et le Noir<\/em> au lyc\u00e9e\u00a0: une gageure\u00a0?<\/p>\n<p><em>par Pierrette Pavet<\/em> 305<\/p>\n<p><em>Le Rouge et le Noir<\/em>, rem\u00e8de \u00e0 la dyslexie\u00a0?<\/p>\n<p><em>par Michel Arrous<\/em> 311<\/p>\n<p>Tourgu\u00e9niev et Stendhal. Autour d\u2019un passage de <em>Steno<\/em><\/p>\n<p><em>par Alexandre Zviguilsky<\/em> 313<\/p>\n<p>L\u2019affaire de Castro\u00a0: suppl\u00e9ment d\u2019enqu\u00eate<\/p>\n<p><em>par Michel Arrous<\/em> 317<\/p>\n<p>Bibliographie des \u00e9tudes stendhaliennes et m\u00e9rim\u00e9ennes<\/p>\n<p>au Japon, 2016-2019<\/p>\n<p><em>par Akemi Yamamoto<\/em> 321<\/p>\n<p>&nbsp;<\/p>\n<p><strong>LIVRES<\/strong><\/p>\n<p>Emmanuel DE WARESQUIEL, <em>J\u2019ai tant vu le soleil<\/em>, Paris, Gallimard, 2020,\u00a0128 p. (Thierry OZWALD) \u2013 <em>Cahiers M\u00e9rim\u00e9e<\/em>, 2020, n\u00b0 12, Paris, Classiques\u00a0Garnier, 128 p. (Michel ARROUS) \u2013 Claude R\u00c9TAT, <em>Art vaincra\u00a0! Louise\u00a0Michel, l\u2019artiste en r\u00e9volution et le d\u00e9go\u00fbt du politique<\/em>, Saint-Pour\u00e7ainsur-Sioule, Bleu autour, 2019, 271 p. (Valentina FORTUNATO) \u2013 <em>La R\u00e9volution\u00a0en contant, histoires, contes et l\u00e9gendes de Louise Michel<\/em>, textes r\u00e9unis\u00a0et pr\u00e9sent\u00e9s par Claude R\u00c9TAT, Saint-Pour\u00e7ain-sur-Sioule, Bleu autour,\u00a02019, 557 p. (Valentina FORTUNATO) \u2013 Marion POIRSON-DECHONNE, <em>Serial\u00a0Venus<\/em>, Canet (66), \u00c9ditions Trabucaire, \u00ab\u00a0Seria negra\u00a0\u00bb, 2009, 406 p. (Clarisse\u00a0R\u00c9QU\u00c9NA) \u2013 \u00d4OKA Sh\u00f4hei, <em>Mon Stendhal<\/em>. Traduction et \u00e9dition critique\u00a0par Julie BROCK. Pr\u00e9face de Philippe BERTHIER. Postface de C\u00e9cile SAKAI,\u00a0Paris, Honor\u00e9 Champion, 2020, 486 p. (Michel ARROUS) \u2013 <em>Les Pyr\u00e9n\u00e9es\u00a0envo\u00fbtantes de Prosper M\u00e9rim\u00e9e<\/em>, reportage diffus\u00e9 le 1<sup>er<\/sup> juin 2020\u00a0dans l\u2019\u00e9mission \u00ab\u00a0Invitation au voyage\u00a0\u00bb, sur Arte (Clarisse R\u00c9QU\u00c9NA)<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>HB, revue internationale d&rsquo;\u00e9tudes stendhaliennes, n\u00b0 24, 2020. Un vol. 17 x 24,5 cm, 354 p., 14 ill. coul. ISBN\u00a0: 978-2-84830-247-8 \/ ISSN\u00a0: 1287-3209. Prix France et \u00e9tranger\u00a0: 77 \u20ac ttc EUREDIT DOSSIER STENDHAL, LE R\u00c9EL ET LE R\u00c9ALISME COLLOQUE &hellip; <a href=\"https:\/\/stendhal.fr\/?p=1501\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-1501","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-od","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1501","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1501"}],"version-history":[{"count":1,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1501\/revisions"}],"predecessor-version":[{"id":1502,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1501\/revisions\/1502"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1501"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1501"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1501"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}