{"id":1466,"date":"2020-06-24T14:13:41","date_gmt":"2020-06-24T13:13:41","guid":{"rendered":"http:\/\/www.stendhal.fr\/?p=1466"},"modified":"2020-06-24T14:13:41","modified_gmt":"2020-06-24T13:13:41","slug":"mon-stendhal-ooka-shohei","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=1466","title":{"rendered":"Mon Stendhal \u00d6oka Sh\u00f6hei"},"content":{"rendered":"

Mon Stendhal<\/strong><\/em>
\n\u00d6oka Sh\u00f6hei<\/strong><\/p>\n

Traduction et \u00e9dition critique par Julie Brock. Pr\u00e9face de Philippe Berthier. Postface de C\u00e9cile Sakai<\/p>\n

\"\"<\/a><\/p>\n

https:\/\/www.honorechampion.com\/fr\/11226-book-08535271-9782745352712.html<\/a><\/p>\n

\u00d4oka fut un sp\u00e9cialiste de Stendhal avant de devenir l\u2019un des grands \u00e9crivains japonais d\u2019apr\u00e8s-guerre. Depuis sa premi\u00e8re lecture de La Chartreuse de Parme<\/em> en 1933 jusqu\u2019\u00e0 sa mort en 1988, il ne cessa d\u2019approfondir sa recherche sur la vie et l\u2019oeuvre de Stendhal. Mon Stendhal<\/em> est un recueil des articles qu\u2019il a publi\u00e9s sur ce sujet dans les magazines litt\u00e9raires de l\u2019\u00e9poque. Chacun \u00e9claire un aspect singulier de la vie et de l\u2019oeuvre de Stendhal, souvent au prisme d\u2019un critique fran\u00e7ais (Taine, Balzac, Thibaudet, etc.) ou japonais (Ueda Bin, Mori \u00d4gai, Tanizaki Jun\u2019ichir\u00f4, et bien d\u2019autres auteurs qui ont contribu\u00e9 \u00e0 la r\u00e9ception de Stendhal au Japon \u00e0 partir de 1900). Interrogeant le point de vue de chacun, \u00d4oka \u00e9crit pour ainsi dire une histoire de la r\u00e9ception de Stendhal en France et au Japon. En m\u00eame temps, il d\u00e9veloppe et approfondit une question qui int\u00e9resse tous les lecteurs de litt\u00e9rature : quelle est la nature de l\u2019amour que suscite en nous la lecture d\u2019une oeuvre litt\u00e9raire ?
\n\u00c0 travers le prisme de ce t\u00e9moignage, le lecteur pourra appr\u00e9hender l\u2019\u00e9volution de la critique et de la pens\u00e9e litt\u00e9raires au Japon tout au long du XXe si\u00e8cle. Il pourra d\u00e9couvrir en filigrane les fondements de la pens\u00e9e romanesque d\u2019\u00d4oka Sh\u00f4hei, et m\u00eame, en retournant le miroir, interroger son propre rapport \u00e0 la litt\u00e9rature sous l\u2019angle singulier de l\u2019amour qu\u2019il porte lui-m\u00eame \u00e0 ses auteurs d\u2019\u00e9lection.<\/p>\n

Julie Brock est professeur \u00e0 l\u2019Institut de Technologie de Ky\u00f4to. Sp\u00e9cialiste en esth\u00e9tique, en litt\u00e9rature japonaise, en litt\u00e9rature compar\u00e9e et en traductologie, elle vit et travaille au Japon depuis une trentaine d\u2019ann\u00e9es. Elle a dirig\u00e9 plusieurs \u00e9quipes de recherche et publi\u00e9 de nombreux travaux. En pr\u00e9sentant au public fran\u00e7ais ce t\u00e9moignage d\u2019un grand \u00e9crivain \u00e0 propos d\u2019un autre, elle apporte un document indispensable aux chercheurs en litt\u00e9rature japonaise moderne et contemporaine, aux chercheurs en \u00e9tudes stendhaliennes, \u00e0 ceux qui s\u2019int\u00e9ressent \u00e0 la question du roman, et de mani\u00e8re g\u00e9n\u00e9rale, \u00e0 tous les amoureux de la litt\u00e9rature.<\/p>\n

Collection Litt\u00e9ratures \u00e9trang\u00e8res<\/p>\n

15,5 X 23,5\u00a0 488 p. Broch\u00e9 12\/06\/2020 PARIS<\/p>\n

ISBN 9782745352712
\nEAN 13 9782745352712<\/p>\n","protected":false},"excerpt":{"rendered":"

Mon Stendhal \u00d6oka Sh\u00f6hei Traduction et \u00e9dition critique par Julie Brock. Pr\u00e9face de Philippe Berthier. Postface de C\u00e9cile Sakai https:\/\/www.honorechampion.com\/fr\/11226-book-08535271-9782745352712.html \u00d4oka fut un sp\u00e9cialiste de Stendhal avant de devenir l\u2019un des grands \u00e9crivains japonais d\u2019apr\u00e8s-guerre. Depuis sa premi\u00e8re lecture de … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-1466","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-nE","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1466","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1466"}],"version-history":[{"count":1,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1466\/revisions"}],"predecessor-version":[{"id":1468,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1466\/revisions\/1468"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1466"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1466"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1466"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}