{"id":1461,"date":"2020-06-01T17:06:43","date_gmt":"2020-06-01T16:06:43","guid":{"rendered":"http:\/\/www.stendhal.fr\/?p=1461"},"modified":"2020-06-01T17:06:43","modified_gmt":"2020-06-01T16:06:43","slug":"revue-stendhal-1-presences-du-personnage","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=1461","title":{"rendered":"Revue Stendhal 1. Pr\u00e9sences du personnage"},"content":{"rendered":"<p style=\"text-align: center;\"><em><strong>Revue Stendhal<\/strong><\/em><br \/>\n<em><strong>1. Pr\u00e9sences du personnage<\/strong><\/em><\/p>\n<p style=\"text-align: center;\">\nSous la direction de Fran\u00e7ois VANOOSTHUYSE<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.stendhal.fr\/wp-content\/2020\/06\/couv_def_stendhal_1_prop_2_page-0001.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1462\" src=\"http:\/\/www.stendhal.fr\/wp-content\/2020\/06\/couv_def_stendhal_1_prop_2_page-0001-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" srcset=\"https:\/\/stendhal.fr\/wp-content\/2020\/06\/couv_def_stendhal_1_prop_2_page-0001-214x300.jpg 214w, https:\/\/stendhal.fr\/wp-content\/2020\/06\/couv_def_stendhal_1_prop_2_page-0001-768x1076.jpg 768w, https:\/\/stendhal.fr\/wp-content\/2020\/06\/couv_def_stendhal_1_prop_2_page-0001-731x1024.jpg 731w, https:\/\/stendhal.fr\/wp-content\/2020\/06\/couv_def_stendhal_1_prop_2_page-0001.jpg 886w\" sizes=\"auto, (max-width: 214px) 100vw, 214px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/psn.univ-paris3.fr\/revue-stendhal\" target=\"_blank\" rel=\"noopener\">http:\/\/psn.univ-paris3.fr\/revue-stendhal<\/a><\/p>\n<p style=\"text-align: center;\">Presses Sorbonne Nouvelle<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/psn.univ-paris3.fr\/\" target=\"_blank\" rel=\"noopener\">http:\/\/psn.univ-paris3.fr\/<\/a><\/p>\n<p style=\"text-align: center;\">prix : 19.50\u20ac<br \/>\n273 pages<br \/>\n2020<br \/>\n15&#215;21<\/p>\n<p>Cultivant l\u2019esprit d\u2019ouverture qui caract\u00e9risait Henri Beyle, la <em>Revue Stendhal<\/em> accueille et suscite travaux et d\u00e9bats stendhaliens. Elle se fait \u00e9galement l\u2019\u00e9cho de l\u2019\u00e9dition et de la recherche internationale. Tout ce qui concerne Stendhal int\u00e9resse les savants et les fervents qui font vivre cette revue.<br \/>\nPour son premier num\u00e9ro, la <em>Revue Stendhal<\/em> s\u2019int\u00e9resse aux personnages des romans stendhaliens, et tout particuli\u00e8rement \u00e0 leur mani\u00e8re d\u2019\u00eatre, \u00e0 leur pr\u00e9sence sensible\u00a0: \u00e0 la lumi\u00e8re des recherches r\u00e9centes sur la question du personnage, les regards crois\u00e9s de sp\u00e9cialistes de l\u2019auteur, de sp\u00e9cialistes du XIXe si\u00e8cle, et de jeunes chercheurs permettent d\u2019\u00e9lucider la force d\u2019attraction toute particuli\u00e8re de ces personnages (h\u00e9ros ou personnages secondaires) qui se sont durablement inscrits dans l\u2019imaginaire des lecteurs.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">Table des mati\u00e8res<\/p>\n<p style=\"text-align: center;\">\nPR\u00c9SENCES DU PERSONNAGE<\/p>\n<p style=\"text-align: left;\">Pr\u00e9sences du personnage Xavier Bourdenet, Marie Parmentier, Fran\u00e7ois Vanoosthuyse<\/p>\n<p>Personnages, pi\u00e8ges et miroirs de la critique Yves Ansel<\/p>\n<p>Pr\u00e9sences sensibles. Les sc\u00e8nes des personnages dans <em>Le Rouge et le Noir <\/em>Olivier Bara<\/p>\n<p>Personnages en mouvement David F. Bell<\/p>\n<p>La morale du personnage. Construction discursive de l\u2019\u00e9thos militaire dans <em>Lucien Leuwen <\/em>Makoto Uesugi<\/p>\n<p>H\u00e9ro\u00efnes contre d\u00e9votes. Les visages f\u00e9minins du catholicisme dans les fictions de Stendhal Charl\u00e8ne Huttenberger<\/p>\n<p>Saillance du personnage secondaire. Altamira ou le personnage-\u00e9cho Xavier Bourdenet<\/p>\n<p>Valenod, un autre Julien Ushio Ono<\/p>\n<p>Les physionomies des personnages stendhaliens et la caricature de presse Am\u00e9lie De Chaisemartin<\/p>\n<p>Curieuse Lamiel. Caract\u00e8re et intrigue dans la gen\u00e8se du roman Marie Parmentier<\/p>\n<p style=\"text-align: left;\">\u00ab Voil\u00e0 comme tu sais garder l\u2019incognito ! \u00bb Pratique pseudonymique de Fabrice del Dongo Ada Smaniotto<\/p>\n<p style=\"text-align: center;\">\nVARIA<\/p>\n<p style=\"text-align: left;\">Politique r\u00e9elle et politique romanesque. Giono, Stendhal et la politique Jean-Yves Laurichesse<\/p>\n<p style=\"text-align: left;\">Surprise et sympathie chez Stendhal Siyang Wang\n<\/p>\n<p style=\"text-align: center;\">HOMMAGES<\/p>\n<p style=\"text-align: left;\">G\u00e9rald Rannaud et la m\u00e9moire de la litt\u00e9rature Fran\u00e7ois Vanoosthuyse<\/p>\n<p>Stendhal autographe, avec G\u00e9rald Rannaud Jacques Neefs, James M. Beall<\/p>\n<p>La gen\u00e8se de l\u2019\u00e9dition diplomatique de la <em>Vie de Henry Brulard <\/em>Yvonne Rannaud<\/p>\n<p>G\u00e9rald Rannaud et la fille de Stendhal\u00a0 Catherine Mariette<\/p>\n<p>G\u00e9rald Rannaud, la force d\u2019un esprit Alain Guyot<\/p>\n<p>Hommage \u00e0 G\u00e9rald Rannaud Patrick Le Bihan<\/p>\n<p>Hommage \u00e0 Jacques Houbert B\u00e9atrice Didier<\/p>\n<p>Comptes rendus<br \/>\nR\u00e9sum\u00e9s<br \/>\nLes auteurs<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Revue Stendhal 1. Pr\u00e9sences du personnage Sous la direction de Fran\u00e7ois VANOOSTHUYSE http:\/\/psn.univ-paris3.fr\/revue-stendhal Presses Sorbonne Nouvelle http:\/\/psn.univ-paris3.fr\/ prix : 19.50\u20ac 273 pages 2020 15&#215;21 Cultivant l\u2019esprit d\u2019ouverture qui caract\u00e9risait Henri Beyle, la Revue Stendhal accueille et suscite travaux et d\u00e9bats &hellip; <a href=\"https:\/\/stendhal.fr\/?p=1461\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-1461","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-nz","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1461"}],"version-history":[{"count":2,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1461\/revisions"}],"predecessor-version":[{"id":1464,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1461\/revisions\/1464"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}