{"id":1329,"date":"2018-10-03T15:48:23","date_gmt":"2018-10-03T14:48:23","guid":{"rendered":"http:\/\/www.stendhal.fr\/?p=1329"},"modified":"2018-10-07T14:39:30","modified_gmt":"2018-10-07T13:39:30","slug":"hb-revue-internationale-detudes-stendhaliennes-n-22-2018","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=1329","title":{"rendered":"HB Revue internationale d\u2018\u00e9tudes stendhaliennes n\u00b0 22 \/2018"},"content":{"rendered":"

HB<\/strong><\/em><\/p>\n

Revue internationale d\u2018\u00e9tudes stendhaliennes<\/strong><\/em><\/p>\n

n\u00b0 22 \/2018<\/p>\n

EUREDIT<\/a><\/p>\n

Septembre 2018<\/p>\n

392 p.<\/p>\n

69 Euros TTC<\/p>\n

Dossier<\/p>\n

Stendhal et les \u00ab\u00a0Valeurs r\u00e9publicaines\u00a0\u00bb<\/p>\n

Colloque Paris-Sorbonne-Paris IV, 24 et 24 mars 2017<\/p>\n

Textes r\u00e9unis et pr\u00e9sent\u00e9s par Michel Arrous\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><\/p>\n

Pr\u00e9sentation par Michel Arrous<\/em> 17<\/p>\n

Amour, famille et valeurs r\u00e9publicaines dans Le Rouge et le Noir <\/em>par M\u00e9k\u00e9 M\u00e9it\u00e9 <\/em>19<\/p>\n

Sans trop d\u2019affectation : l\u2019habitus<\/em> nobiliaire dans Le Rouge et le Noir<\/em> par Olivier Tonnerre <\/em> 29\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/p>\n

La dissidence de Stendhal avec le credo lib\u00e9ral : Beyle critique de Benjamin Constant par Patrick Attali<\/em> 45 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/p>\n

Murat et le Sud italien : aristos \u00e0 la lanterne ou nouvelles monarchies fran\u00e7aises ? par Andr\u00e9e Mansau<\/em> 59 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/p>\n

De la chasse au bonheur \u00e0 la chasse \u00e0 l\u2019argent, Stendhal et l\u2019industrialisme, une pr\u00e9figuration de la critique du n\u00e9olib\u00e9ralisme par Serge Link\u00e8s<\/em> 67<\/p>\n

La Chartreuse de Parme<\/em> : roman politiquement incorrect par Thierry Ozwald <\/em>81\u00a0<\/em><\/p>\n

La notion d\u2019\u00e9galit\u00e9 chez Stendhal et Balzac par Max Andr\u00e9oli <\/em>99<\/p>\n

Les partis contraires, le r\u00e9publicain et l\u2019aristocrate par Pascale McGarry <\/em>119<\/p>\n

Op\u00e9ra et d\u00e9mocratie par B\u00e9atrice Didier <\/em>147<\/p>\n

Stendhal lecteur de Montesquieu \u00e0 Rome par Letizia Norci Cagiano<\/em> 155<\/p>\n

\u00ab Tout se presse apr\u00e8s l\u2019or ; de l\u2019or tout d\u00e9pend. \u00bb L\u2019inversion des valeurs r\u00e9publicaines par l\u2019argent dans Le Rouge et le Noir <\/em>par Lydia Bauer <\/em>163<\/p>\n

VARIA<\/p>\n

Les critiques d\u2019Ortega y Gasset \u00e0 De l\u2019amour<\/em> de Stendhal par Margherita Camozzi <\/em>175<\/p>\n

Pour une transposition en BD : Le Rouge et le Noir <\/em>par Fatima Seddaoui <\/em>195<\/p>\n

Mitty, Val\u00e9ry et Lucien Leuwen <\/em>par Nobuhiro Takaki <\/em>207<\/p>\n

La clairvoyance du regard maternel dans Armance <\/em>par Sascha Luethy <\/em>223<\/p>\n

Stendhal et Victor Cousin, une offensive conjugu\u00e9e : Kant, la \u00ab philosophie \u00e9cossaise \u00bb, Helv\u00e9tius et Maine de Biran par Jean-Charles Augendre<\/em> 233<\/p>\n

Le portrait de Gen\u00e8ve et de sa r\u00e9gion dans les M\u00e9moires d\u2019un touriste<\/em> de Stendhal par Bertrand L\u00e9vy <\/em>259<\/p>\n

Carmen<\/em> : un op\u00e9ra nomade par Jade Basford <\/em>273<\/p>\n

L\u2019androgyne comme beau id\u00e9al antique et symbole alchimique dans Armance ou Quelques sc\u00e8nes d\u2019un salon de Paris en 1827 <\/em>par Lydia Bauer <\/em>287<\/p>\n

R\u00e9flexions sur le personnage de Julien Sorel par Michel Crouzet <\/em>301<\/p>\n

NOTES<\/p>\n

Situer Stendhal biographe.<\/p>\n

Analyse textuelle, comparative et g\u00e9n\u00e9rique de quatre vies stendhaliennes par Antoine Guibal<\/p>\n

Le r\u00e9cit court stendhalien par Nicolas Allard<\/p>\n

L\u2019honneur dans l\u2019\u0153uvre de Stendhal : enjeux \u00e9thiques, esth\u00e9tiques et politiques par Makoto Uesugi<\/p>\n

LIVRES<\/p>\n

Fran\u00e7ois VANOOSTHUYSE, Le Moment Stendhal,<\/em> Paris Classiques Garnier, \u00ab \u00c9tudes romantiques et dix\u2014neuvi\u00e9mistes \u00bb, no 57, 2017, 464 p. (Barbara DIMOPOULOU). \u2014 Jean\u2014Jacques HAMM, Approches de Stendhal,<\/em> Paris, Classiques Gamier, 2018, 361 p. (Sascha LUETHY). \u2014 Jean-Baptiste AMADIEU, La Litt\u00e9rature fran\u00e7aise au XIXe si\u00e8cle mise \u00e0 l \u2019Index<\/em>. la Proc\u00e9dure<\/em>, Paris, Cerf \u00ab Patrimoines \u00bb, 2017, 542 p. (Pierrette PAVET). \u2014 Thierry \u00dbZWALD, Stendhal. La Conqu\u00eate de so<\/em>i, Paris, Eur\u00e9dit, 2018, 317 p. (Michel ARROUS). \u2014 Sophie RABAUD, \u201cCarmen pour changer. Variations sur une nouvelle de Prosper M\u00e9rim\u00e9e<\/em>, Paris, Anacharsis, 2018, 222 p. (Suzel ESQUIER). \u2014 Thierry OZWALD, M\u00e9rim\u00e9e-Bizet. Sauver Carmen. Suivi de Imposture de Glissant ? et de Sylvie Germain : un imaginaire fin de si\u00e8cle<\/em>, Paris, Eur\u00e9dit, 2018, 136 p. (Michel ARROUS). \u2014 Paul\u2014Louis COURIER, Pamphlets. Floril\u00e8ge, Loches, La gu\u00eapine<\/em>, 2017, 68 p. (Michel ARROUS). \u2014 Osamu KASHIWAGI, Stendhal et l’\u00e9conomie politique<\/em> \u00eatre \u00e9crivain face \u00e0 l\u2019id\u00e9ologie \u00e9conomique de l\u2019\u00e9poque romantique<\/em>, Kansai University Press, 2017, 325 p. (Akemi YAMAMOTO). \u2014 STENDHAL, Romans abandonn\u00e9s. Le Juif \u2014 Le Lac de Gen\u00e8ve \u2014 Paul Sergar _ Une position sociale \u2014 Madame Tarin \u2014 Le Conspirateur \u2014 Philibert Lescale \u2014 A-imagination \u2014 F\u00e9der \u2014 Le Chevalier de Saint-Ismier \u2014 Don Pardo<\/em>, pr\u00e9sent\u00e9s et annot\u00e9s par Michel CROUZET, nouvelle \u00e9dition revue, corrig\u00e9e et augment\u00e9e, Paris, Eur\u00e9dit 2018, 312 p. (Michel ARROUS). \u2014 Jack ROBINSON, An Overcoat. Scenes from Aterlife of H. B<\/em>., Londres, CB \u00e9ditions, 2017, 133 p. (Michel ARROUS). Lisa ROSCIONI, La Badessa di Castro. Storia di uno scandalo<\/em>, Bologne, Il Mulino, 2018, 250 p_ (Michel ARROUS). \u00abEncore Carmen… \u00bb<\/em>, par Alain Finkielkraut, Causeur, n\u00b0 55 , mars 2018, p. 45 : verbatim.<\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

HB Revue internationale d\u2018\u00e9tudes stendhaliennes n\u00b0 22 \/2018 EUREDIT Septembre 2018 392 p. 69 Euros TTC Dossier Stendhal et les \u00ab\u00a0Valeurs r\u00e9publicaines\u00a0\u00bb Colloque Paris-Sorbonne-Paris IV, 24 et 24 mars 2017 Textes r\u00e9unis et pr\u00e9sent\u00e9s par Michel Arrous\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pr\u00e9sentation par Michel … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-1329","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-lr","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1329","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1329"}],"version-history":[{"count":5,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1329\/revisions"}],"predecessor-version":[{"id":1334,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1329\/revisions\/1334"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1329"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1329"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1329"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}