{"id":1262,"date":"2017-12-31T15:43:16","date_gmt":"2017-12-31T14:43:16","guid":{"rendered":"http:\/\/www.stendhal.fr\/?p=1262"},"modified":"2018-01-18T10:43:41","modified_gmt":"2018-01-18T09:43:41","slug":"hb-revue-internationale-detudes-stendhaliennes-n21-2017","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=1262","title":{"rendered":"HB Revue internationale d\u2019\u00e9tudes stendhaliennes n\u00b021 \/ 2017"},"content":{"rendered":"

HB<\/em><\/strong>
\n Revue internationale d\u2019\u00e9tudes stendhaliennes<\/em><\/strong>
\n n\u00b021 \/ 2017<\/strong><\/p>\n

http:\/\/www.euredit-editions.com\/f\/index.php?sp=liv&livre_id=216<\/a><\/p>\n

SOMMAIRE<\/p>\n

IN MEMORIAM MARIELLA DI MAIO
\nRICORDO PERSONALE DI MARIELLA DI MAIO
\npar Letizia NORCI CAGIANO<\/p>\n

IN MEMORIAM JACQUES HOUBERT
\n1931-2017<\/p>\n

IN MEMORIAM G\u00c9RALD RANNAUD
\n1933-2017<\/p>\n

DOSSIER<\/p>\n

STENDHAL\u00a0: BONHEUR ET M\u00c9LANCOLIE
\nCOLLOQUE PARIS-SORBONNE-PARIS IV
\n18 et 19 mars 2016
\nTextes r\u00e9unis et pr\u00e9sent\u00e9s par
\nMichel ARROUS<\/p>\n

PR\u00c9SENTATION
\npar Michel Arrous<\/p>\n

Les promenades dans Armance<\/em>\u00a0: lieux de ravissement et de privation
\npar M\u00e9k\u00e9 M\u00e9it\u00e9<\/p>\n

Le silence et le vol des oiseaux dans La Chartreuse de Parme<\/em>
\npar Sascha Luethy<\/p>\n

Bonheur et m\u00e9lancolie dans le sigisb\u00e9isme\u00a0: Stendhal face \u00e0 la relation triangulaire
\npar Makoto Uesugi<\/p>\n

Une figure faustienne\u00a0? La m\u00e9lancolie d\u2019Octave de Malivert
\npar Lydia Bauer<\/p>\n

Les amours de Stendhal ou puissance de la m\u00e9lancolie
\npar Thierry Ozwald<\/p>\n

Comment lire la \u00ab\u00a0chasse au bonheur\u00a0\u00bb dans les nouvelles stendhaliennes\u00a0: Vanina Vanini<\/em> ou le bonheur manqu\u00e9
\npar Concetta Angelone<\/p>\n

Stendhal et le bonheur sans amour et sans m\u00e9lancolie
\npar Serge Link\u00e8s<\/p>\n

I am never merry when I hear sweet music
\npar Suzel Esquier<\/p>\n

Illusion et lucidit\u00e9 dans l\u2019image stendhalienne du bonheur
\npar Pierrette Pavet<\/p>\n

Mozart ou le bonheur de la m\u00e9lancolie
\npar B\u00e9atrice Didier<\/p>\n

\u00ab\u00a0Une impression profonde re\u00e7ue \u00e0 son entr\u00e9e dans la vie.\u00a0\u00bb La religion comme fondement du bonheur chez Stendhal
\npar Nicolas Perot<\/p>\n

Le Rouge et le Noir<\/em>\u00a0: une p\u00e9dagogie du bonheur
\npar Maria Vicenta Hern\u00e1ndez \u00c1lvarez<\/p>\n

Don Carlos<\/em> selon De l\u2019amour<\/em>\u00a0: une m\u00e9lancolie allemande
\npar Andr\u00e9e Mansau<\/p>\n

Le bonheur en uniforme\u00a0?
\npar Pascale McGarry<\/p>\n

Une mani\u00e8re singuli\u00e8re de chercher le bonheur
\npar Yvon Houssais<\/p>\n

Stendhal et le bonheur dans le sacrifice
\npar Michel Crouzet<\/p>\n

VARIA<\/p>\n

Un c\u0153ur pour aimer
\npar Jacques Houbert<\/p>\n

Le Rouge et le Noir<\/em> ou 187 ans apr\u00e8s
\npar Michel Crouzet<\/p>\n

Deux lettres in\u00e9dites de Stendhal\u00a0: documents Jean-Jacques Amp\u00e8re
\npar Nobuhiro Takaki<\/p>\n

Reflets des journaux contemporains dans les Souvenirs d\u2019\u00e9gotisme<\/em>
\npar Kosei Kurisu<\/p>\n

Humour, retenue, circonspection\u00a0: imp\u00e9ratifs pratiques de l\u2019\u00e9motivit\u00e9 chez M\u00e9rim\u00e9e
\npar Thierry Ozwald<\/p>\n

Th\u00e9ophile Gautier et Somerset Maugham lecteurs de M\u00e9rim\u00e9e\u00a0: des \u00e9crivains-voyageurs en qu\u00eate d\u2019\u00e9motions andalouses
\npar Nikol Dziub<\/p>\n

BD et litt\u00e9rature\u00a0: l\u2019exemple de Colomba<\/em> et de Mateo Falcone<\/em>
\npar Fatima Seddaoui<\/p>\n

Paul L\u00e9autaud\u00a0: \u00eatre Stendhal\u00a0?
\npar Jean-Auguste Poulon<\/p>\n

Giono et Stendhal\u00a0: dimension atypique et d\u00e9sinvolture
\npar \u00c9douard Schaelchli<\/p>\n

Expression et id\u00e9alisation\u00a0: Stendhal vs Winckelmann\u00a0?
\npar Michel Arrous<\/p>\n

Stendhal, Victor Cousin et Platon
\npar Ferdinand Collier<\/p>\n

Le hasard, le destin et le jeu chez Stendhal
\npar Michel Crouzet<\/p>\n

NOTES<\/p>\n

Au secours\u00a0! Il revient\u2026
\npar Michel Crouzet<\/p>\n

Le Rouget le Noir<\/em>, l\u2019op\u00e9ra Rock
\npar Pascale McGarry<\/p>\n

Les supporters du Stendhal FC
\npar une \u00ab\u00a0Cuistre\u00a0\u00bb<\/p>\n

Le morph\u00e8me etc. chez Stendhal\u00a0: du fait de langue au fait de style
\npar Claire Deslauriers<\/p>\n

Bibliographie stendhalienne. Ventes 2016
\npar Jacques Houbert<\/p>\n

Un stendhalien \u00e0 l\u2019\u00c9lys\u00e9e
\npar Pascale McGarry<\/p>\n

Macron-Besson\u2026 et B. Constant, Stendhal, Balzac, Flaubert\u2026
\npar Ignacio Ugarte Irazoqui<\/p>\n

LIVRES<\/p>\n","protected":false},"excerpt":{"rendered":"

HB Revue internationale d\u2019\u00e9tudes stendhaliennes n\u00b021 \/ 2017 http:\/\/www.euredit-editions.com\/f\/index.php?sp=liv&livre_id=216 SOMMAIRE IN MEMORIAM MARIELLA DI MAIO RICORDO PERSONALE DI MARIELLA DI MAIO par Letizia NORCI CAGIANO IN MEMORIAM JACQUES HOUBERT 1931-2017 IN MEMORIAM G\u00c9RALD RANNAUD 1933-2017 DOSSIER STENDHAL\u00a0: BONHEUR ET M\u00c9LANCOLIE … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-1262","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-km","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1262"}],"version-history":[{"count":4,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1262\/revisions"}],"predecessor-version":[{"id":1269,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1262\/revisions\/1269"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1262"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1262"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}