{"id":1246,"date":"2017-12-05T15:26:13","date_gmt":"2017-12-05T14:26:13","guid":{"rendered":"http:\/\/www.stendhal.fr\/?p=1246"},"modified":"2017-12-06T11:01:55","modified_gmt":"2017-12-06T10:01:55","slug":"stendhal-et-winckelmann-edite-par-catherine-mariette-chantal-massol","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=1246","title":{"rendered":"Stendhal et Winckelmann \u00c9dit\u00e9 par Catherine Mariette, Chantal Massol"},"content":{"rendered":"

Stendhal et Winckelmann<\/strong><\/em>
\n\u00c9dit\u00e9 par Catherine Mariette,\u00a0 Chantal Massol
\nCollection Biblioth\u00e8que stendhalienne et romantique<\/p>\n

\"\"<\/a><\/p>\n

\u00c9diteur(s) :\u00a0UGA \u00c9ditions<\/p>\n

https:\/\/www.uga-editions.com\/stendhal-et-winckelmann-257193.kjsp?RH=1505741714424<\/a><\/p>\n

Date de publication :\u00a0novembre 2017
\n190 p.
\nLangue(s):\u00a0Fran\u00e7ais<\/p>\n

Prix :\u00a019,50 \u20ac<\/span><\/p>\n

disponible<\/div>\n
ISBN :\u00a09782377470167<\/div>\n
<\/figure>\n

Cet ouvrage examine les liens qui unissent Stendhal, malgr\u00e9 ses d\u00e9n\u00e9gations, \u00e0 Winckelmann. Il s\u2019efforce de d\u00e9gager les principaux aspects de la r\u00e9ception du savant allemand par l\u2019\u00e9crivain fran\u00e7ais, et de mettre en \u00e9vidence les termes du dialogue que ce dernier instaure avec l\u2019historien de l\u2019art.
\nPr\u00e9sentation
\nLes contributions s\u2019interrogent d\u2019abord sur les modalit\u00e9s de leur rencontre (influences, transfert culturel, m\u00e9diations, parall\u00e8les\u2026), sur les fondements de leurs projets respectifs et sur les formes du dialogue que le cadet instaure avec son a\u00een\u00e9. Elles s\u2019emploient ensuite, en tentant de d\u00e9m\u00ealer les propos souvent contradictoires que l\u2019auteur de l\u2019Histoire de la peinture en Italie<\/em> tient \u00e0 l\u2019\u00e9gard du savant allemand, \u00e0 mettre au jour les th\u00e8mes de ce dialogue (expression, id\u00e9alisation, imagination, \u00e9nergie, style, imitation, libert\u00e9, cristallisation, douceur, sublime, id\u00e9al, sensualit\u00e9, gr\u00e2ce\u2026). Le dialogue, pour finir, s\u2019ouvre \u00e0 un troisi\u00e8me interlocuteur : Nietzsche, qui puise dans la pens\u00e9e stendhalienne, en la d\u00e9passant, les \u00e9l\u00e9ments d\u2019un d\u00e9bat contre un winckelmannisme classique et \u00ab apollinien \u00bb.<\/p>\n

Auteurs
\nCatherine Mariette est professeur de litt\u00e9rature fran\u00e7aise \u00e0 l\u2019Universit\u00e9 Grenoble-Alpes, et membre de l\u2019UMR \u00ab Litt&Arts \u00bb. Sp\u00e9cialiste du XIXe si\u00e8cle, elle travaille essentiellement sur Stendhal, George Sand et la litt\u00e9rature f\u00e9minine.<\/p>\n

Chantal Massol est professeur de litt\u00e9rature fran\u00e7aise \u00e0 l\u2019Universit\u00e9 Grenoble Alpes, et membre de l\u2019UMR \u00ab Litt&Arts \u00bb. Ses travaux portent sur le roman balzacien et le r\u00e9cit romantique, mais elle s\u2019int\u00e9resse \u00e9galement \u00e0 l\u2019imaginaire du politique et aux r\u00e9ceptions du XIXe si\u00e8cle par les \u00e9crivains contemporains<\/p>\n","protected":false},"excerpt":{"rendered":"

Stendhal et Winckelmann \u00c9dit\u00e9 par Catherine Mariette,\u00a0 Chantal Massol Collection Biblioth\u00e8que stendhalienne et romantique \u00c9diteur(s) :\u00a0UGA \u00c9ditions https:\/\/www.uga-editions.com\/stendhal-et-winckelmann-257193.kjsp?RH=1505741714424 Date de publication :\u00a0novembre 2017 190 p. Langue(s):\u00a0Fran\u00e7ais Prix :\u00a019,50 \u20ac disponible ISBN :\u00a09782377470167 Cet ouvrage examine les liens qui unissent Stendhal, … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-1246","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-k6","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1246","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1246"}],"version-history":[{"count":4,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1246\/revisions"}],"predecessor-version":[{"id":1260,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1246\/revisions\/1260"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}