{"id":1193,"date":"2017-06-19T17:45:18","date_gmt":"2017-06-19T16:45:18","guid":{"rendered":"http:\/\/www.stendhal.fr\/?p=1193"},"modified":"2017-06-19T17:45:18","modified_gmt":"2017-06-19T16:45:18","slug":"sous-le-regard-de-stendhal-promenades-a-travers-la-nature-et-les-arts","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=1193","title":{"rendered":"Sous le regard de Stendhal Promenades \u00e0 travers la nature et les arts"},"content":{"rendered":"

Sous le regard de Stendhal <\/strong><\/em><\/p>\n

Promenades \u00e0 travers la nature et les arts<\/strong><\/em><\/p>\n

\u00e9tudes r\u00e9unies et pr\u00e9sent\u00e9es par<\/p>\n

Encarnacion Medina Arjona<\/p>\n

EUREDIT<\/p>\n

237 p. Paris Mai 2017<\/p>\n

ISBN: 978-2-84830- 197-6<\/p>\n

Prix public France: 48 \u20ac ttc<\/p>\n

Promenades sous une all\u00e9e de marronniers, amours \u00e0 l’ombre d’un grand ch\u00eane, itin\u00e9raires artistiques dans une ville baign\u00e9e de lumi\u00e8re, diff\u00e9rentes mani\u00e8res de regarder le sensible qui font que l’oeuvre de Stendhal \u00e9chappe vite \u00e0 son auteur et \u00e0 son temps. Quel est le
\nrapport de Stendhal au Beau? Comment construit-il ce rapport? C’est l’oeil qui, spontan\u00e9ment, op\u00e8re cette synth\u00e8se et c’est la sensibilit\u00e9 naturelle de sa plume qui cerne les contours. Il s’agit bien d’ un regard qui marchede concert avec l’affect.<\/p>\n

Ce volume contribue \u00e0 relire Henri Beyle, \u00e0 voir comment, \u00e0 l’aide de proc\u00e9d\u00e9s discrets , il obtient l’exp\u00e9rience de la nature et des arts.<\/p>\n

Avec la participation de<\/strong><\/p>\n

Claude Benoit, Juan Bravo Caslilla, Marie-Fran\u00e7oise Barat, Fran\u00e7oise Chenet, B\u00e9atrice Didier, Suzel Esquier, M. Carme Figuerola, Maria Teresa Lozano Sampedro, Javier dei Prado Biezma, Martine Reid, \u00c0ngels Santa.<\/p>\n

Encarnacion MEDINA ARJONA est professeur de Langue et Litt\u00e9rature fran\u00e7aises \u00e0 l’Universit\u00e9 de Ja\u00e9n. Sp\u00e9cialiste du XIX\u00e8me si\u00e8cle, de l’\u00e9criture des femmes et des paysages culturels m\u00e9diterran\u00e9ens, elle a notamment publi\u00e9 Zola y el caso Dreyfus:
\nCartas desde Espa\u00f1a, 1898-1899 (1999) et Los Combates de Zola, el \u00abFaiseur d’hommes \u00bb. Correspondencia iberoamericana dirigida a \u00c9mile Zola, 1886-1902 (2004).<\/p>\n","protected":false},"excerpt":{"rendered":"

Sous le regard de Stendhal Promenades \u00e0 travers la nature et les arts \u00e9tudes r\u00e9unies et pr\u00e9sent\u00e9es par Encarnacion Medina Arjona EUREDIT 237 p. Paris Mai 2017 ISBN: 978-2-84830- 197-6 Prix public France: 48 \u20ac ttc Promenades sous une all\u00e9e … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-1193","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-jf","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1193"}],"version-history":[{"count":4,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1193\/revisions"}],"predecessor-version":[{"id":1197,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1193\/revisions\/1197"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}