{"id":1157,"date":"2017-03-01T11:38:22","date_gmt":"2017-03-01T10:38:22","guid":{"rendered":"http:\/\/www.stendhal.fr\/?p=1157"},"modified":"2017-03-01T11:38:22","modified_gmt":"2017-03-01T10:38:22","slug":"stendhal-suite-et-fins-continuite-narrative-et-continuation-romanesque-seminaire-de-marc-escola-universite-de-lausanne","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=1157","title":{"rendered":"Stendhal, suite et fins. Continuit\u00e9 narrative et continuation romanesque S\u00e9minaire de Marc Escola, Universit\u00e9 de Lausanne"},"content":{"rendered":"<p style=\"text-align: center;\">Du 22 f\u00e9vrier 2017 au 31 mai 2017<br \/>\nUniversit\u00e9 de Lausanne, Anthropole 5125<br \/>\n<strong>Stendhal, suite et fins. Continuit\u00e9 narrative et continuation romanesque<\/strong><br \/>\n<strong>S\u00e9minaire de Marc Escola, Universit\u00e9 de Lausanne<\/strong><br \/>\nMercredi 13h15-15h, Anthropole 5125<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/applicationspub.unil.ch\/interpub\/noauth\/php\/Ud\/ficheCours.php?v_enstyid=62077&amp;v_langue=fr\" target=\"_blank\">https:\/\/applicationspub.unil.ch\/interpub\/noauth\/php\/Ud\/ficheCours.php?v_enstyid=62077&amp;v_langue=fr<\/a><\/p>\n<p>Si \u00ab\u00a0on entre en Stendhalie comme on pousse la porte d&rsquo;une maison de campagne\u00a0\u00bb (J. Gracq), on se propose ici de passer par la cour de derri\u00e8re pour surprendre le romancier au travail et peut-\u00eatre au moment du d\u00e9couragement\u00a0: on s\u2019essaiera \u00e0 analyser, de part et d\u2019autre du chef-d\u2019\u0153uvre achev\u00e9 (<em>La Chartreuse de Parme<\/em>) et concurremment \u00e0 une nouvelle d\u00e9nou\u00e9e (<em>Mina de Vanghel)<\/em>, trois romans \u00ab\u00a0abandonn\u00e9s\u00a0\u00bb (<em>Le Rose et le Vert, F\u00e9der<\/em> et <em>Lamiel)<\/em>, qui t\u00e9moignent des h\u00e9sitations et repentirs du cr\u00e9ateur, pour r\u00e9fl\u00e9chir sur l&rsquo;ach\u00e8vement et le principe m\u00eame de la continuit\u00e9 narrative et de la continuation romanesque. Ce s\u00e9minaire de po\u00e9tique fera une place au dossier g\u00e9n\u00e9tique, tel que les \u00e9ditions modernes le propose, de deux des \u0153uvres retenues au moins (<em>Le Rose et le Vert, Lamiel<\/em>).<br \/>\nInvit\u00e9e\u00a0: Marie Parmentier (Universit\u00e9 de Poitiers), 22 mars\u00a0: \u00ab\u00a0Plans du romancier, \u2018\u2018plans de conduite\u2019\u2019 des personnages\u00a0: parasitages\u00a0\u00bb.<br \/>\n\u0152uvres au programme\u00a0:<br \/>\n&#8211; <em>F\u00e9der<\/em> (Folio)<br \/>\n&#8211; <em>Le Rose et le Vert, Mina de Vanghel,<\/em> \u00e9d. J.-J. Labla (GF-Flammarion)<br \/>\n&#8211; <em>Lamiel,<\/em> \u00e9d. A.-M. Meininger (Folio), dont \u00ab\u00a0Journal de Lamiel\u00a0\u00bb.<\/p>\n<p>Lectures compl\u00e9mentaires\u00a0:<br \/>\n&#8211; <em>Tamira Wanghen<\/em> dans <em>Le Rose et le Vert, Mina Vanghel<\/em>, \u00e9d. J.-J. Labla (GF-Flammarion)<br \/>\n&#8211; <em>Romans abandonn\u00e9s<\/em>, \u00e9d. M. Crouzet (10\/18).<br \/>\n&#8211;<em> Le Rose et le Vert, Mina de Vanghel et autres nouvelles,<\/em> \u00e9d. V. Del Litto (Folio).<br \/>\n&#8211; J. Laurent, <em>La Fin de Lamiel,<\/em> Juillard, 1966.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Du 22 f\u00e9vrier 2017 au 31 mai 2017 Universit\u00e9 de Lausanne, Anthropole 5125 Stendhal, suite et fins. Continuit\u00e9 narrative et continuation romanesque S\u00e9minaire de Marc Escola, Universit\u00e9 de Lausanne Mercredi 13h15-15h, Anthropole 5125 https:\/\/applicationspub.unil.ch\/interpub\/noauth\/php\/Ud\/ficheCours.php?v_enstyid=62077&amp;v_langue=fr Si \u00ab\u00a0on entre en Stendhalie comme &hellip; <a href=\"https:\/\/stendhal.fr\/?p=1157\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[],"class_list":["post-1157","post","type-post","status-publish","format-standard","hentry","category-seminaires"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-iF","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1157","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1157"}],"version-history":[{"count":2,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1157\/revisions"}],"predecessor-version":[{"id":1159,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1157\/revisions\/1159"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1157"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1157"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}