{"id":1083,"date":"2016-02-22T10:35:29","date_gmt":"2016-02-22T09:35:29","guid":{"rendered":"http:\/\/www.stendhal.fr\/?p=1083"},"modified":"2016-02-22T10:35:29","modified_gmt":"2016-02-22T09:35:29","slug":"stendhal-bonheur-et-melancolie-colloque-organise-par-stendhal-aujourdhui","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=1083","title":{"rendered":"Stendhal : bonheur et m\u00e9lancolie Colloque organis\u00e9 par Stendhal Aujourd\u2019hui"},"content":{"rendered":"

Stendhal\u00a0: bonheur et m\u00e9lancolie<\/strong>
\n Colloque organis\u00e9 par Stendhal Aujourd\u2019hui<\/strong>
\n Avec la collaboration de HB Revue internationale d\u2019\u00e9tudes stendhaliennes<\/strong><\/p>\n

18 et 19 mars 2016 Universit\u00e9 Paris-Sorbonne-Paris IV<\/strong>
\n Maison de la Recherche, 28 rue Serpente Paris VIe<\/strong><\/p>\n

Vendredi 18 mars, salle D 040<\/strong><\/p>\n

9h Accueil et ouverture de la premi\u00e8re journ\u00e9e
\n9h15-12h30<\/p>\n

Promenades stendhaliennes\u00a0: ces lieux de ravissements et de privations
\npar M\u00e9k\u00e9 M\u00e9it\u00e9, Universit\u00e9 F\u00e9lix Houphou\u00ebt-Boigny, Abidjan-Cocody<\/p>\n

Le silence, le vol des oiseaux dans La Chartreuse de Parme<\/em>
\npar Sascha L\u00fcthy, Universit\u00e9 de Berne<\/p>\n

Bonheur et m\u00e9lancolie dans le sigisb\u00e9isme. Stendhal et une singularit\u00e9 italienne
\npar Makoto Uesugi, Universit\u00e9 Sorbonne Nouvelle-Paris III<\/p>\n

10h30 Pause<\/p>\n

Une figure faustienne\u00a0? La m\u00e9lancolie d\u2019Octave de Malivert
\npar Lydia Bauer, Universit\u00e9 de M\u00fcnster<\/p>\n

Les amours de Stendhal ou l\u2019art de la m\u00e9lancolie
\npar Thierry Ozwald, Universit\u00e9 de Limoges<\/p>\n

14h30-16h30<\/p>\n

Comment lire la \u00ab\u00a0chasse au bonheur\u00a0\u00bb dans les nouvelles stendhaliennes\u00a0: Vanina Vanini<\/em> ou le bonheur manqu\u00e9
\npar Concetta Angelone, Universit\u00e9 de Strasbourg<\/p>\n

Stendhal et le bonheur sans amour et sans m\u00e9lancolie
\npar Serge Link\u00e8s, Universit\u00e9 de La Rochelle<\/p>\n

\u00ab\u00a0I am never merry when I hear sweet music\u00a0\u00bb
\npar Suzel Esquier, CELIS, Universit\u00e9 de Clermont-Ferrand<\/p>\n

\n

Samedi 19 mars, Salle D 035<\/strong><\/p>\n

\n9h Accueil et ouverture de la deuxi\u00e8me journ\u00e9e
\n9h15-12h30<\/p>\n

Lucidit\u00e9 et illusion dans l\u2019image stendhalienne du bonheur
\npar Pierrette Pavet, Lyc\u00e9e Descartes Antony<\/p>\n

Bonheur, m\u00e9lancolie et musique
\npar B\u00e9atrice Didier, ENS \/ Ulm<\/p>\n

\u00ab\u00a0Une impression profonde re\u00e7ue \u00e0 son entr\u00e9e dans la vie\u00a0\u00bb\u00a0: une d\u00e9finition de la religion comme source de bonheur dans La Chartreuse de Parme<\/em>
\npar Nicolas Perot, Lyc\u00e9e Malherbe, Caen<\/p>\n

10h30 Pause<\/p>\n

Du bonheur dans Le Rouge et le Noir,<\/em> mot de passe ou mot passe-partout\u00a0?
\npar Maria Vicenta Hern\u00e1ndez \u00c1lvarez, Universit\u00e9 de Salamanque<\/p>\n

Don Carlos selon De l\u2019amour\u00a0<\/em>: une m\u00e9lancolie allemande
\npar Andr\u00e9e Mansau, Universit\u00e9 de Toulouse-Le Mirail<\/p>\n

\n14h30-16h30<\/p>\n

Le bonheur en uniforme\u00a0?
\npar Pascale Mc Garry, University College Dublin<\/p>\n

L\u2019impossible bonheur\u00a0: ressort du tragique\u00a0?
\npar Yvon Houssais, Universit\u00e9 de Franche-Comt\u00e9<\/p>\n

Stendhal et le bonheur du sacrifice
\npar Michel Crouzet, Universit\u00e9 Paris-Sorbonne-Paris IV<\/p>\n","protected":false},"excerpt":{"rendered":"

Stendhal\u00a0: bonheur et m\u00e9lancolie Colloque organis\u00e9 par Stendhal Aujourd\u2019hui Avec la collaboration de HB Revue internationale d\u2019\u00e9tudes stendhaliennes 18 et 19 mars 2016 Universit\u00e9 Paris-Sorbonne-Paris IV Maison de la Recherche, 28 rue Serpente Paris VIe Vendredi 18 mars, salle D … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-1083","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-ht","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1083","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1083"}],"version-history":[{"count":1,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1083\/revisions"}],"predecessor-version":[{"id":1084,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1083\/revisions\/1084"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1083"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1083"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1083"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}