{"id":1050,"date":"2015-09-09T10:51:11","date_gmt":"2015-09-09T09:51:11","guid":{"rendered":"http:\/\/www.stendhal.fr\/?p=1050"},"modified":"2015-09-09T10:51:11","modified_gmt":"2015-09-09T09:51:11","slug":"la-musique-dans-la-pensee-et-dans-loeuvre-de-stendhal-et-de-nerval-opiela-anna","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=1050","title":{"rendered":"La musique dans la pens\u00e9e et dans l&rsquo;oeuvre de Stendhal et de Nerval Opiela Anna"},"content":{"rendered":"<p style=\"text-align: center;\"><strong><em>La musique dans la pens\u00e9e et dans l&rsquo;oeuvre de Stendhal et de Nerval<\/em> <\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Opiela Anna<\/strong><\/p>\n<p style=\"text-align: center;\">CHAMPION<br \/>\n<a href=\"http:\/\/www.honorechampion.com\/fr\/champion\/9034-book-08532869-9782745328694.html\" target=\"_blank\">http:\/\/www.honorechampion.com\/fr\/champion\/9034-book-08532869-9782745328694.html<\/a><\/p>\n<p>Inscrite dans le domaine du comparatisme interdisciplinaire, cette \u00e9tude tente de d\u00e9finir le r\u00f4le de la musique chez Stendhal et Nerval, \u00e9crivains romantiques dot\u00e9s d\u2019une sensibilit\u00e9 musicale particuli\u00e8re. Pour placer des oeuvres analys\u00e9es dans le contexte de l\u2019\u00e9poque et dans le champ des \u00e9tudes musico-litt\u00e9raires, la premi\u00e8re partie du livre est consacr\u00e9e \u00e0 la pr\u00e9sentation du fond philosophique (avec une place forte qu\u2019occupe l\u2019id\u00e9alisme allemand et l\u2019id\u00e9e de la synth\u00e8se des arts), et \u00e0 la revue des strat\u00e9gies m\u00e9thodologiques traditionnelles et actuelles. La notion de partition litt\u00e9raire, conjugu\u00e9e aux m\u00e9thodes de la critique th\u00e9matique et structurale, a servi, dans les parties II et III de l\u2019\u00e9tude, \u00e0 analyser les textes de Stendhal et de Nerval. Ayant pr\u00e9sent\u00e9 les sources distinctes de leur int\u00e9r\u00eat musical et le th\u00e8me de la musique inscrit dans le temps-espace romanesque, on a examin\u00e9 les mani\u00e8res dont la musique est transpos\u00e9e au niveau du style et de la structure du texte.<\/p>\n<p>Anna Opiela, docteur \u00e8s lettres, est ma\u00eetre de conf\u00e9rences dans l\u2019Institut d\u2019\u00c9tudes romanes \u00e0 l\u2019Universit\u00e9 de Varsovie. Elle a publi\u00e9 des articles sur la musique chez les \u00e9crivains fran\u00e7ais et particip\u00e9 aux colloques dans plusieurs pays (Pologne, R\u00e9publique tch\u00e8que, Hongrie, Belgique).<\/p>\n<p>60,00 \u20ac<\/p>\n<p>Collection ROMANTISME MODERNITE<br \/>\nFormat 15,5 X 23,5 CM<br \/>\nNo dans la collection 0160<br \/>\nNombre de volume 1<br \/>\nNombre de pages 336<br \/>\nType de reliure BROCH\u00c9<br \/>\nISBN 9782745328694<br \/>\nDate de publication 25\/08\/2015<br \/>\nLieu d&rsquo;\u00e9dition PARIS<br \/>\nIndic. sur auteur original NERVAL STENDHAL<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La musique dans la pens\u00e9e et dans l&rsquo;oeuvre de Stendhal et de Nerval Opiela Anna CHAMPION http:\/\/www.honorechampion.com\/fr\/champion\/9034-book-08532869-9782745328694.html Inscrite dans le domaine du comparatisme interdisciplinaire, cette \u00e9tude tente de d\u00e9finir le r\u00f4le de la musique chez Stendhal et Nerval, \u00e9crivains romantiques &hellip; <a href=\"https:\/\/stendhal.fr\/?p=1050\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2],"tags":[],"class_list":["post-1050","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-gW","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1050","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1050"}],"version-history":[{"count":1,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1050\/revisions"}],"predecessor-version":[{"id":1051,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1050\/revisions\/1051"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1050"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1050"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}