{"id":1035,"date":"2015-07-21T09:46:24","date_gmt":"2015-07-21T08:46:24","guid":{"rendered":"http:\/\/www.stendhal.fr\/?p=1035"},"modified":"2015-07-21T09:46:24","modified_gmt":"2015-07-21T08:46:24","slug":"mariella-di-maio-comment-lhabiller-quelques-enjeux-narratifs-de-la-description-chez-stendhal","status":"publish","type":"post","link":"https:\/\/stendhal.fr\/?p=1035","title":{"rendered":"Mariella Di Maio  \u00ab\u00a0Comment l&rsquo;habiller?. Quelques enjeux narratifs de la description chez Stendhal\u00a0\u00bb"},"content":{"rendered":"<p style=\"text-align: center;\">Mariella Di Maio<\/p>\n<p style=\"text-align: center;\">\u00a0\u00bb Comment l&rsquo;habiller?&rsquo;. Quelques enjeux narratifs de la description chez Stendhal\u00a0\u00bb,<\/p>\n<p style=\"text-align: center;\">in\u00a0 L&rsquo;expression des \u00e9motions. M\u00e9langes en l&rsquo;honneur de Patrizia Lombardo. M. Rueff et J. Zanetta (eds.),<\/p>\n<p style=\"text-align: center;\">Gen\u00e8ve, 2015.<\/p>\n<p style=\"text-align: center;\">URL: <a href=\"http:\/\/www.unige.ch\/lettres\/framo\/melangeslombardo.html\" target=\"_blank\">http:\/\/www.unige.ch\/lettres\/framo\/melangeslombardo.html<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mariella Di Maio \u00a0\u00bb Comment l&rsquo;habiller?&rsquo;. Quelques enjeux narratifs de la description chez Stendhal\u00a0\u00bb, in\u00a0 L&rsquo;expression des \u00e9motions. M\u00e9langes en l&rsquo;honneur de Patrizia Lombardo. M. Rueff et J. Zanetta (eds.), Gen\u00e8ve, 2015. URL: http:\/\/www.unige.ch\/lettres\/framo\/melangeslombardo.html<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2],"tags":[],"class_list":["post-1035","post","type-post","status-publish","format-standard","hentry","category-nouvelles-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p34K8b-gH","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1035"}],"version-history":[{"count":4,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1035\/revisions"}],"predecessor-version":[{"id":1039,"href":"https:\/\/stendhal.fr\/index.php?rest_route=\/wp\/v2\/posts\/1035\/revisions\/1039"}],"wp:attachment":[{"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stendhal.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}